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Jean Marc Nattier
1685-1766
French
Jean Marc Nattier Gallery
Brother of Jean-Baptiste Nattier. As well as being taught by his father, he trained with his godfather, Jean Jouvenet, and attended the drawing classes of the Academie Royale, where in 1700 he won the Premier Prix de Dessin. From around 1703 he worked on La Galerie du Palais du Luxembourg. The experience of copying the work of Rubens does not, however, seem to have had a liberating effect on his draughtsmanship, which was described by the 18th-century collector Pierre-Jean Mariette as cold. Nattier was commissioned to make further drawings for engravers in the early part of his career, including those after Hyacinthe Rigaud famous state portrait of Louis XIV (1701; Paris, Louvre) in 1710, which indicates that he had established a reputation while he was still quite young. Although he was offered a place at the Academie de France in Rome on the recommendation of Jouvenet, Nattier preferred to remain in Paris and further his career. In 1717 he nevertheless made a trip to Holland, where he painted portraits of Peter the Great and the Empress Catherine (St Petersburg, Hermitage). The Tsar offered Nattier work at the Russian court, but the artist declined the offer. He remained in Paris for the rest of his life.
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Marie Adelaide de Bourbon
before 1766(1766)
Medium Oil on canvas
Dimensions 222 x 148 cm (87.4 x 58.3 in)
cyf
Painting ID:: 81133
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Marie_Adelaide_de_Bourbon
before 1766(1766)
Medium Oil on canvas
Dimensions 222 x 148 cm (87.4 x 58.3 in)
cyf
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Portrait of Louise Henriette Gabrielle de Lorraine
1746(1746)
Medium Oil on canvas
Dimensions 80 x 65 cm (31.5 x 25.6 in)
cyf
Painting ID:: 81382
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Portrait_of_Louise_Henriette_Gabrielle_de_Lorraine
1746(1746)
Medium Oil on canvas
Dimensions 80 x 65 cm (31.5 x 25.6 in)
cyf
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Anne Henriette of France represented as Flora
1742(1742)
Medium Oil on canvas
Dimensions 96 x 151 cm (37.8 x 59.4 in)
cyf
Painting ID:: 81425
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Anne_Henriette_of_France_represented_as_Flora
1742(1742)
Medium Oil on canvas
Dimensions 96 x 151 cm (37.8 x 59.4 in)
cyf
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Madame Adeaide de France Tying Knots
1756(1756)
Medium Oil on canvas
Dimensions 128 x 96 cm (50.4 x 37.8 in)
cyf
Painting ID:: 81461
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Madame_Adeaide_de_France_Tying_Knots
1756(1756)
Medium Oil on canvas
Dimensions 128 x 96 cm (50.4 x 37.8 in)
cyf
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Muse of Comedy
1739
Medium Oil on canvas
Dimensions 135.9 x 124.5 cm
cyf
Painting ID:: 82068
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Muse_of_Comedy
1739
Medium Oil on canvas
Dimensions 135.9 x 124.5 cm
cyf
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Jean_Marc_Nattier
1685-1766
French
Jean Marc Nattier Gallery
Brother of Jean-Baptiste Nattier. As well as being taught by his father, he trained with his godfather, Jean Jouvenet, and attended the drawing classes of the Academie Royale, where in 1700 he won the Premier Prix de Dessin. From around 1703 he worked on La Galerie du Palais du Luxembourg. The experience of copying the work of Rubens does not, however, seem to have had a liberating effect on his draughtsmanship, which was described by the 18th-century collector Pierre-Jean Mariette as cold. Nattier was commissioned to make further drawings for engravers in the early part of his career, including those after Hyacinthe Rigaud famous state portrait of Louis XIV (1701; Paris, Louvre) in 1710, which indicates that he had established a reputation while he was still quite young. Although he was offered a place at the Academie de France in Rome on the recommendation of Jouvenet, Nattier preferred to remain in Paris and further his career. In 1717 he nevertheless made a trip to Holland, where he painted portraits of Peter the Great and the Empress Catherine (St Petersburg, Hermitage). The Tsar offered Nattier work at the Russian court, but the artist declined the offer. He remained in Paris for the rest of his life.
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