Oil Painting Artist::. Jean Baptiste Camille Corot

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     Jean Baptiste Camille Corot
    1796-1875 Corot Locations French painter, draughtsman and printmaker. After a classical education at the College de Rouen, where he did not distinguish himself, and an unsuccessful apprenticeship with two drapers, Corot was allowed to devote himself to painting at the age of 26. He was given some money that had been intended for his sister, who had died in 1821, and this, together with what we must assume was his family continued generosity, freed him from financial worries and from having to sell his paintings to earn a living. Corot chose to follow a modified academic course of training. He did not enrol in the Ecole des Beaux-Arts but studied instead with Achille Etna Michallon and, after Michallon death in 1822, with Jean-Victor Bertin. Both had been pupils of Pierre-Henri Valenciennes, and, although in later years Corot denied that he had learnt anything of value from his teachers, his career as a whole shows his attachment to the principles of historic landscape painting which they professed.

Jean Baptiste Camille  Corot Le bapteme du Christ (mk11) oil painting artist
 Click Image to Enlarge
Le bapteme du Christ (mk11)
1847 Paris,eglise Saint-Nicolas-du-Chardonnet

     Painting ID::  21043
INCHES CM PRICE  
16x20 40x50 $99
20x24 50x60 $119
24x36 60x90 $159
30x40 75x100 $199
36x48 90x120 $269
48x72 120x180 $469
  Le_bapteme_du_Christ_(mk11)
1847 Paris,eglise Saint-Nicolas-du-Chardonnet

Jean Baptiste Camille  Corot Portrait de Madame Charmois (mk11) oil painting artist
 Click Image to Enlarge
Portrait de Madame Charmois (mk11)
nee Claire Sennegon -vers 1845 Paris Musee du Louvre

     Painting ID::  21044
INCHES CM PRICE  
16x20 40x50 $69
20x24 50x60 $89
24x36 60x90 $139
30x40 75x100 $149
36x48 90x120 $219
48x72 120x180 $399
  Portrait_de_Madame_Charmois_(mk11)
nee Claire Sennegon -vers 1845 Paris Musee du Louvre

Jean Baptiste Camille  Corot La blonde Gasconne (mk11) oil painting artist
 Click Image to Enlarge
La blonde Gasconne (mk11)
vers 1850 Northampton, Mass,Smith College Museum of Art

     Painting ID::  21045
INCHES CM PRICE  
16x20 40x50 $69
20x24 50x60 $89
24x36 60x90 $139
30x40 75x100 $149
36x48 90x120 $219
48x72 120x180 $399
  La_blonde_Gasconne_(mk11)
vers 1850 Northampton, Mass,Smith College Museum of Art

Jean Baptiste Camille  Corot Moissonneuse tenant sa faucille (mk11) oil painting artist
 Click Image to Enlarge
Moissonneuse tenant sa faucille (mk11)
la tete appuyee sur la main-1838 Topsfield,Mass,collection M.William A Coolidge

     Painting ID::  21046
INCHES CM PRICE  
16x20 40x50 $69
20x24 50x60 $89
24x36 60x90 $139
30x40 75x100 $149
36x48 90x120 $219
48x72 120x180 $399
  Moissonneuse_tenant_sa_faucille_(mk11)
la tete appuyee sur la main-1838 Topsfield,Mass,collection M.William A Coolidge

Jean Baptiste Camille  Corot Le port de La Rochelle (mk11) oil painting artist
 Click Image to Enlarge
Le port de La Rochelle (mk11)
1851 New Haven,conn,Yale University Art Gallery

     Painting ID::  21047
INCHES CM PRICE  
16x20 40x50 $69
20x24 50x60 $89
24x36 60x90 $139
30x40 75x100 $149
36x48 90x120 $219
48x72 120x180 $399
  Le_port_de_La_Rochelle_(mk11)
1851 New Haven,conn,Yale University Art Gallery

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     Jean_Baptiste_Camille__Corot
    1796-1875 Corot Locations French painter, draughtsman and printmaker. After a classical education at the College de Rouen, where he did not distinguish himself, and an unsuccessful apprenticeship with two drapers, Corot was allowed to devote himself to painting at the age of 26. He was given some money that had been intended for his sister, who had died in 1821, and this, together with what we must assume was his family continued generosity, freed him from financial worries and from having to sell his paintings to earn a living. Corot chose to follow a modified academic course of training. He did not enrol in the Ecole des Beaux-Arts but studied instead with Achille Etna Michallon and, after Michallon death in 1822, with Jean-Victor Bertin. Both had been pupils of Pierre-Henri Valenciennes, and, although in later years Corot denied that he had learnt anything of value from his teachers, his career as a whole shows his attachment to the principles of historic landscape painting which they professed.

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