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Jean Baptiste Camille Corot
1796-1875
Corot Locations
French painter, draughtsman and printmaker.
After a classical education at the College de Rouen, where he did not distinguish himself, and an unsuccessful apprenticeship with two drapers, Corot was allowed to devote himself to painting at the age of 26. He was given some money that had been intended for his sister, who had died in 1821, and this, together with what we must assume was his family continued generosity, freed him from financial worries and from having to sell his paintings to earn a living. Corot chose to follow a modified academic course of training. He did not enrol in the Ecole des Beaux-Arts but studied instead with Achille Etna Michallon and, after Michallon death in 1822, with Jean-Victor Bertin. Both had been pupils of Pierre-Henri Valenciennes, and, although in later years Corot denied that he had learnt anything of value from his teachers, his career as a whole shows his attachment to the principles of historic landscape painting which they professed.
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La cathedrale de Mantes (mk11)
1865/1869 Reims,Musee des Beaux-Arts
Painting ID:: 21058
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La_cathedrale_de_Mantes_(mk11)
1865/1869 Reims,Musee des Beaux-Arts
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Le coup de vent (mk11)
1865/1870 Reims,Musee des Beaux-Arts
Painting ID:: 21059
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Le_coup_de_vent_(mk11)
1865/1870 Reims,Musee des Beaux-Arts
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Le vallon (mk11)
vers 1855/1860 Paris,Musee du Louvre
Painting ID:: 21061
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Le_vallon_(mk11)
vers 1855/1860 Paris,Musee du Louvre
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Bacchante couchee au bord de la mer (mk11)
1865 New York,The Metropolitan Museum of Art
Painting ID:: 21062
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Bacchante_couchee_au_bord_de_la_mer_(mk11)
1865 New York,The Metropolitan Museum of Art
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La melancolie (mk11)
1850/1860
Copenhagoue,Ny Carlsberg Glyptotek
Painting ID:: 21063
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La_melancolie_(mk11)
1850/1860
Copenhagoue,Ny Carlsberg Glyptotek
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Jean_Baptiste_Camille__Corot
1796-1875
Corot Locations
French painter, draughtsman and printmaker.
After a classical education at the College de Rouen, where he did not distinguish himself, and an unsuccessful apprenticeship with two drapers, Corot was allowed to devote himself to painting at the age of 26. He was given some money that had been intended for his sister, who had died in 1821, and this, together with what we must assume was his family continued generosity, freed him from financial worries and from having to sell his paintings to earn a living. Corot chose to follow a modified academic course of training. He did not enrol in the Ecole des Beaux-Arts but studied instead with Achille Etna Michallon and, after Michallon death in 1822, with Jean-Victor Bertin. Both had been pupils of Pierre-Henri Valenciennes, and, although in later years Corot denied that he had learnt anything of value from his teachers, his career as a whole shows his attachment to the principles of historic landscape painting which they professed.
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