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Jean Baptiste Camille Corot
1796-1875
Corot Locations
French painter, draughtsman and printmaker.
After a classical education at the College de Rouen, where he did not distinguish himself, and an unsuccessful apprenticeship with two drapers, Corot was allowed to devote himself to painting at the age of 26. He was given some money that had been intended for his sister, who had died in 1821, and this, together with what we must assume was his family continued generosity, freed him from financial worries and from having to sell his paintings to earn a living. Corot chose to follow a modified academic course of training. He did not enrol in the Ecole des Beaux-Arts but studied instead with Achille Etna Michallon and, after Michallon death in 1822, with Jean-Victor Bertin. Both had been pupils of Pierre-Henri Valenciennes, and, although in later years Corot denied that he had learnt anything of value from his teachers, his career as a whole shows his attachment to the principles of historic landscape painting which they professed.
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Vue pres de Volterra (mk11)
1838 Washington National Gallery of Art
Painting ID:: 21028
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Vue_pres_de_Volterra_(mk11)
1838 Washington National Gallery of Art
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Site des environs de Naple (mk11)
1841 Spring field,Mass,Museum of Fine Arts
Painting ID:: 21029
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Site_des_environs_de_Naple_(mk11)
1841 Spring field,Mass,Museum of Fine Arts
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L'eglise de Lormes (mk11)
1840/1845 Hartford,Wadsworth Atheneum
Painting ID:: 21030
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L'eglise_de_Lormes_(mk11)
1840/1845 Hartford,Wadsworth Atheneum
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Rosny-sur-Seine (mk11)
leglise du village -1844 Rosemont,N.Y collection Mr.and Mrs L.B Wescott
Painting ID:: 21031
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Rosny-sur-Seine_(mk11)
leglise du village -1844 Rosemont,N.Y collection Mr.and Mrs L.B Wescott
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Saint-Andre en Morvan (mk11)
1842 Paris Musee du Louvre
Painting ID:: 21032
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Saint-Andre_en_Morvan_(mk11)
1842 Paris Musee du Louvre
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Jean_Baptiste_Camille__Corot
1796-1875
Corot Locations
French painter, draughtsman and printmaker.
After a classical education at the College de Rouen, where he did not distinguish himself, and an unsuccessful apprenticeship with two drapers, Corot was allowed to devote himself to painting at the age of 26. He was given some money that had been intended for his sister, who had died in 1821, and this, together with what we must assume was his family continued generosity, freed him from financial worries and from having to sell his paintings to earn a living. Corot chose to follow a modified academic course of training. He did not enrol in the Ecole des Beaux-Arts but studied instead with Achille Etna Michallon and, after Michallon death in 1822, with Jean-Victor Bertin. Both had been pupils of Pierre-Henri Valenciennes, and, although in later years Corot denied that he had learnt anything of value from his teachers, his career as a whole shows his attachment to the principles of historic landscape painting which they professed.
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