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Samuel Palmer
1805-1881
British
Samuel Palmer Galleries
English painter, draughtsman and etcher. Palmer was a key figure of English Romantic painting who represented, at least in his early work, its pastoral, intuitive and nostalgic aspects at their most intense. He is widely described as a visionary and linked with his friend and mentor William Blake, though he stood at an almost opposite extreme in his commitment to landscape and his innocent approach to its imagery. He had none of Blake irony or complexity and was inspired by a passionate love of nature that found its philosophical dimension in unquestioning Neo-Platonism.
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The Sleeping Shepherd
mk49
c.1854
Watercolour,gouache,gum arabic,brown ink and traces of graphite on off-white wove paper laid down onto secondary support
Painting ID:: 26428
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The_Sleeping_Shepherd
mk49
c.1854
Watercolour,gouache,gum arabic,brown ink and traces of graphite on off-white wove paper laid down onto secondary support
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The Comet of 1858,as Seen from the Heights of Dartmoor
mk49
1858-9
Watercolour and gouache
Painting ID:: 26429
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The_Comet_of_1858,as_Seen_from_the_Heights_of_Dartmoor
mk49
1858-9
Watercolour and gouache
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The Sheep Shearers
mk49
1863
Watercolour and gouache,over traces of graphite
21.2x43.8cm
Painting ID:: 26430
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The_Sheep_Shearers
mk49
1863
Watercolour and gouache,over traces of graphite
21.2x43.8cm
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A Wagoner Returning Home
mk49
c.1865
Watercolour,gouche and graphite
19.7x43.2cm
Painting ID:: 26431
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A_Wagoner_Returning_Home
mk49
c.1865
Watercolour,gouche and graphite
19.7x43.2cm
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The Propect
mk49
1881
Watercolour with gouache
50x70.4cm
Painting ID:: 26432
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The_Propect
mk49
1881
Watercolour with gouache
50x70.4cm
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Samuel_Palmer
1805-1881
British
Samuel Palmer Galleries
English painter, draughtsman and etcher. Palmer was a key figure of English Romantic painting who represented, at least in his early work, its pastoral, intuitive and nostalgic aspects at their most intense. He is widely described as a visionary and linked with his friend and mentor William Blake, though he stood at an almost opposite extreme in his commitment to landscape and his innocent approach to its imagery. He had none of Blake irony or complexity and was inspired by a passionate love of nature that found its philosophical dimension in unquestioning Neo-Platonism.
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