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Samuel Palmer
1805-1881
British
Samuel Palmer Galleries
English painter, draughtsman and etcher. Palmer was a key figure of English Romantic painting who represented, at least in his early work, its pastoral, intuitive and nostalgic aspects at their most intense. He is widely described as a visionary and linked with his friend and mentor William Blake, though he stood at an almost opposite extreme in his commitment to landscape and his innocent approach to its imagery. He had none of Blake irony or complexity and was inspired by a passionate love of nature that found its philosophical dimension in unquestioning Neo-Platonism.
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The Watermill
mk49
c.1848
Water and body colour,mixed in parts with gum arabic.
51.3x71.2cm
Painting ID:: 26418
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The_Watermill
mk49
c.1848
Water and body colour,mixed in parts with gum arabic.
51.3x71.2cm
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Study for The Watermill
mk49
1848
Watercolour
2.7x17.8cm
Painting ID:: 26419
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Study_for_The_Watermill
mk49
1848
Watercolour
2.7x17.8cm
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View of Ilfracombe,Devon
mk49
c.1848-9
Watercolour,gouache,black chalk and graphite on Bristol board
27x38cm
Painting ID:: 26420
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View_of_Ilfracombe,Devon
mk49
c.1848-9
Watercolour,gouache,black chalk and graphite on Bristol board
27x38cm
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Christian Descending into the Valley of Humiliation
mk49
1848
Watercolour,gouache,black ink,black chalk and gold over faint squaring
Painting ID:: 26421
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Christian_Descending_into_the_Valley_of_Humiliation
mk49
1848
Watercolour,gouache,black ink,black chalk and gold over faint squaring
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View at Tintagel
mk49
1848
Black chalk,watercolour and gouache on off-white wove paper
26.2x37cm
Painting ID:: 26422
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View_at_Tintagel
mk49
1848
Black chalk,watercolour and gouache on off-white wove paper
26.2x37cm
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Samuel_Palmer
1805-1881
British
Samuel Palmer Galleries
English painter, draughtsman and etcher. Palmer was a key figure of English Romantic painting who represented, at least in his early work, its pastoral, intuitive and nostalgic aspects at their most intense. He is widely described as a visionary and linked with his friend and mentor William Blake, though he stood at an almost opposite extreme in his commitment to landscape and his innocent approach to its imagery. He had none of Blake irony or complexity and was inspired by a passionate love of nature that found its philosophical dimension in unquestioning Neo-Platonism.
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