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Samuel Palmer
1805-1881
British
Samuel Palmer Galleries
English painter, draughtsman and etcher. Palmer was a key figure of English Romantic painting who represented, at least in his early work, its pastoral, intuitive and nostalgic aspects at their most intense. He is widely described as a visionary and linked with his friend and mentor William Blake, though he stood at an almost opposite extreme in his commitment to landscape and his innocent approach to its imagery. He had none of Blake irony or complexity and was inspired by a passionate love of nature that found its philosophical dimension in unquestioning Neo-Platonism.
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A Pastoral Scene
mk49
1835
Oil and tempera on panel
30x40cm
Painting ID:: 26401
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A_Pastoral_Scene
mk49
1835
Oil and tempera on panel
30x40cm
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Scene from Lee,North Devon
mk49
1835
Oil on canvas
26.7x38.1cm
Painting ID:: 26402
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Scene_from_Lee,North_Devon
mk49
1835
Oil on canvas
26.7x38.1cm
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On the North Coast of Devon,Lundy Island in the Distance
mk49
1835
Watercolour,gouache,black chald and graphite on off-white wove paper
27.1x38cm
Painting ID:: 26403
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On_the_North_Coast_of_Devon,Lundy_Island_in_the_Distance
mk49
1835
Watercolour,gouache,black chald and graphite on off-white wove paper
27.1x38cm
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A Study at Tintern-Drawn on the Spot
mk49
1835
Brown ink,watercolour,gouache,graphite and black chalk on off-white paper toned pinkish-brown
37.2x47.5cm
Painting ID:: 26404
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A_Study_at_Tintern-Drawn_on_the_Spot
mk49
1835
Brown ink,watercolour,gouache,graphite and black chalk on off-white paper toned pinkish-brown
37.2x47.5cm
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Tintern Abbey
mk49
1835
Watercolour,gouache,brown ink and black chalk on white laid paper
36.8x48.6cm
Painting ID:: 26405
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Tintern_Abbey
mk49
1835
Watercolour,gouache,brown ink and black chalk on white laid paper
36.8x48.6cm
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Samuel_Palmer
1805-1881
British
Samuel Palmer Galleries
English painter, draughtsman and etcher. Palmer was a key figure of English Romantic painting who represented, at least in his early work, its pastoral, intuitive and nostalgic aspects at their most intense. He is widely described as a visionary and linked with his friend and mentor William Blake, though he stood at an almost opposite extreme in his commitment to landscape and his innocent approach to its imagery. He had none of Blake irony or complexity and was inspired by a passionate love of nature that found its philosophical dimension in unquestioning Neo-Platonism.
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