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Jean Baptiste Camille Corot
1796-1875
Corot Locations
French painter, draughtsman and printmaker.
After a classical education at the College de Rouen, where he did not distinguish himself, and an unsuccessful apprenticeship with two drapers, Corot was allowed to devote himself to painting at the age of 26. He was given some money that had been intended for his sister, who had died in 1821, and this, together with what we must assume was his family continued generosity, freed him from financial worries and from having to sell his paintings to earn a living. Corot chose to follow a modified academic course of training. He did not enrol in the Ecole des Beaux-Arts but studied instead with Achille Etna Michallon and, after Michallon death in 1822, with Jean-Victor Bertin. Both had been pupils of Pierre-Henri Valenciennes, and, although in later years Corot denied that he had learnt anything of value from his teachers, his career as a whole shows his attachment to the principles of historic landscape painting which they professed.
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Moine italien assis (mk11)
vers 1827 Buffalo N.Y Albright-Knox Art Gallery
Painting ID:: 21003
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Moine_italien_assis_(mk11)
vers 1827 Buffalo N.Y Albright-Knox Art Gallery
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La cathedrale de Chartres (mk11)
1830 Paris,Musee du Louvre
Painting ID:: 21004
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La_cathedrale_de_Chartres_(mk11)
1830 Paris,Musee du Louvre
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Le Pont-au-Change et le Palais de Justice (mk11)
Paris-1830 New York,collection privee
Painting ID:: 21005
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Le_Pont-au-Change_et_le_Palais_de_Justice_(mk11)
Paris-1830 New York,collection privee
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Notre-Dame et le quai des Orfevres (mk11)
1833 Paris,Musee Carnavalet
Painting ID:: 21006
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Notre-Dame_et_le_quai_des_Orfevres_(mk11)
1833 Paris,Musee Carnavalet
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Rouen (mk11)
Vue prise de la cote Sainte-Catherine -1833 Hartford,Conn,Wadsworth Atheneum
Painting ID:: 21007
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Rouen_(mk11)
Vue prise de la cote Sainte-Catherine -1833 Hartford,Conn,Wadsworth Atheneum
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Jean_Baptiste_Camille__Corot
1796-1875
Corot Locations
French painter, draughtsman and printmaker.
After a classical education at the College de Rouen, where he did not distinguish himself, and an unsuccessful apprenticeship with two drapers, Corot was allowed to devote himself to painting at the age of 26. He was given some money that had been intended for his sister, who had died in 1821, and this, together with what we must assume was his family continued generosity, freed him from financial worries and from having to sell his paintings to earn a living. Corot chose to follow a modified academic course of training. He did not enrol in the Ecole des Beaux-Arts but studied instead with Achille Etna Michallon and, after Michallon death in 1822, with Jean-Victor Bertin. Both had been pupils of Pierre-Henri Valenciennes, and, although in later years Corot denied that he had learnt anything of value from his teachers, his career as a whole shows his attachment to the principles of historic landscape painting which they professed.
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