Oil Painting Artist::. Albrecht Durer

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     Albrecht Durer
    b.May 21, 1471, Imperial Free City of Nernberg [Germany] d.April 6, 1528, Nernberg Albrecht Durer (May 21, 1471 ?C April 6, 1528) was a German painter, printmaker and theorist from Nuremberg. His still-famous works include the Apocalypse woodcuts, Knight, Death, and the Devil (1513), Saint Jerome in his Study (1514) and Melencolia I (1514), which has been the subject of extensive analysis and interpretation. His watercolours mark him as one of the first European landscape artists, while his ambitious woodcuts revolutionized the potential of that medium. D??rer introduction of classical motifs into Northern art, through his knowledge of Italian artists and German humanists, have secured his reputation as one of the most important figures of the Northern Renaissance. This is reinforced by his theoretical treatise which involve principles of mathematics, perspective and ideal proportions. His prints established his reputation across Europe when he was still in his twenties, and he has been conventionally regarded as the greatest artist of the Renaissance in Northern Europe ever since.

Albrecht Durer Self-Portrait with Gloves (nn03) oil painting artist
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Self-Portrait with Gloves (nn03)
1498 Oil on panel 52 x 41 cm 20 1/2 x 16 1/8 in Museo del Prado Madrid

     Painting ID::  23285
INCHES CM PRICE  
16x20 40x50 $69
20x24 50x60 $89
24x36 60x90 $139
30x40 75x100 $149
36x48 90x120 $219
48x72 120x180 $399
  Self-Portrait_with_Gloves_(nn03)
1498 Oil on panel 52 x 41 cm 20 1/2 x 16 1/8 in Museo del Prado Madrid

Albrecht Durer Hieronymus Holzschuher (mk45) oil painting artist
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Hieronymus Holzschuher (mk45)
1526 Oil on panel. 48x26cm Berlin,Staatliche Museen zu Beelin-Prubischer Kulturbesitz,Gemaldegalerie

     Painting ID::  25870
INCHES CM PRICE  
16x20 40x50 $69
20x24 50x60 $89
24x36 60x90 $139
30x40 75x100 $149
36x48 90x120 $219
48x72 120x180 $399
  Hieronymus_Holzschuher_(mk45)
1526 Oil on panel. 48x26cm Berlin,Staatliche Museen zu Beelin-Prubischer Kulturbesitz,Gemaldegalerie

Albrecht Durer Self-Portrait (mk45) oil painting artist
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Self-Portrait (mk45)
1498 Oil on panel 52x41cm Madrid,Museo Nacional del Prado

     Painting ID::  25911
INCHES CM PRICE  
16x20 40x50 $69
20x24 50x60 $89
24x36 60x90 $139
30x40 75x100 $149
36x48 90x120 $219
48x72 120x180 $399
  Self-Portrait_(mk45)
1498 Oil on panel 52x41cm Madrid,Museo Nacional del Prado

Albrecht Durer Melancholia I (MK45) oil painting artist
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Melancholia I (MK45)
1514 Copperplate engraving 23.9X16.8cm Berlin,Staatliche Museen zu Berlin-Preubischer Kulturbesitz,Kupferstichkabinett

     Painting ID::  25938
INCHES CM PRICE  
16x20 40x50 $69
20x24 50x60 $89
24x36 60x90 $139
30x40 75x100 $149
36x48 90x120 $219
48x72 120x180 $399
  Melancholia_I_(MK45)
1514 Copperplate engraving 23.9X16.8cm Berlin,Staatliche Museen zu Berlin-Preubischer Kulturbesitz,Kupferstichkabinett

Albrecht Durer Self-Portrait (mk45) oil painting artist
 Click Image to Enlarge
Self-Portrait (mk45)
1493 Parchment on panel 56.5x44.5cm Paris,Musee du Louvre

     Painting ID::  25967
INCHES CM PRICE  
16x20 40x50 $69
20x24 50x60 $89
24x36 60x90 $139
30x40 75x100 $149
36x48 90x120 $219
48x72 120x180 $399
  Self-Portrait_(mk45)
1493 Parchment on panel 56.5x44.5cm Paris,Musee du Louvre

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     Albrecht_Durer
    b.May 21, 1471, Imperial Free City of Nernberg [Germany] d.April 6, 1528, Nernberg Albrecht Durer (May 21, 1471 ?C April 6, 1528) was a German painter, printmaker and theorist from Nuremberg. His still-famous works include the Apocalypse woodcuts, Knight, Death, and the Devil (1513), Saint Jerome in his Study (1514) and Melencolia I (1514), which has been the subject of extensive analysis and interpretation. His watercolours mark him as one of the first European landscape artists, while his ambitious woodcuts revolutionized the potential of that medium. D??rer introduction of classical motifs into Northern art, through his knowledge of Italian artists and German humanists, have secured his reputation as one of the most important figures of the Northern Renaissance. This is reinforced by his theoretical treatise which involve principles of mathematics, perspective and ideal proportions. His prints established his reputation across Europe when he was still in his twenties, and he has been conventionally regarded as the greatest artist of the Renaissance in Northern Europe ever since.

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