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Andrea del Castagno
Italian
c1421-1457
Andrea del Castagno Location
Italian
c1421-1457
Andrea del Castagno Location
Italian painter. He was the most influential 15th-century Florentine master, after Masaccio, of the realistic rendering of the figure and the representation of the human body as a three-dimensional solid by means of contours. By translating into the terms of painting the statues of the Florentine sculptors Nanni di Banco and Donatello, Castagno set Florentine painting on a course dominated by line (the Florentine tradition of disegno), the effect of relief and the sculptural depiction of the figure that became its distinctive trait throughout the Italian Renaissance, a trend that culminated in the art of Michelangelo.
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Famous Persons: Pippo Spano
c. 1450
Fresco transferred to wood, 250 x 154 cm
Painting ID:: 32214
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Famous_Persons:_Pippo_Spano
c. 1450
Fresco transferred to wood, 250 x 154 cm
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Famous Persons: Niccolo Acciaiuoli
c. 1450
Fresco transferred to wood, 250 x 154 cm
Painting ID:: 32215
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Famous_Persons:_Niccolo_Acciaiuoli
c. 1450
Fresco transferred to wood, 250 x 154 cm
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Famous Persons: Farinata degli Uberti
c. 1450
Fresco transferred to wood, 250 x 154 cm
Painting ID:: 32216
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Famous_Persons:_Farinata_degli_Uberti
c. 1450
Fresco transferred to wood, 250 x 154 cm
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Famous Persons: The Cumean Sibyl
c. 1450
Fresco transferred to wood, 250 x 154 cm
Painting ID:: 32217
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Famous_Persons:_The_Cumean_Sibyl
c. 1450
Fresco transferred to wood, 250 x 154 cm
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Famous Persons: Queen Tomyris
c. 1450
Fresco transferred to wood, 245 x 1554 cm
Painting ID:: 32218
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Famous_Persons:_Queen_Tomyris
c. 1450
Fresco transferred to wood, 245 x 1554 cm
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Andrea_del_Castagno
Italian
c1421-1457
Andrea del Castagno Location
Italian
c1421-1457
Andrea del Castagno Location
Italian painter. He was the most influential 15th-century Florentine master, after Masaccio, of the realistic rendering of the figure and the representation of the human body as a three-dimensional solid by means of contours. By translating into the terms of painting the statues of the Florentine sculptors Nanni di Banco and Donatello, Castagno set Florentine painting on a course dominated by line (the Florentine tradition of disegno), the effect of relief and the sculptural depiction of the figure that became its distinctive trait throughout the Italian Renaissance, a trend that culminated in the art of Michelangelo.
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