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Andrea del Castagno
Italian
c1421-1457
Andrea del Castagno Location
Italian
c1421-1457
Andrea del Castagno Location
Italian painter. He was the most influential 15th-century Florentine master, after Masaccio, of the realistic rendering of the figure and the representation of the human body as a three-dimensional solid by means of contours. By translating into the terms of painting the statues of the Florentine sculptors Nanni di Banco and Donatello, Castagno set Florentine painting on a course dominated by line (the Florentine tradition of disegno), the effect of relief and the sculptural depiction of the figure that became its distinctive trait throughout the Italian Renaissance, a trend that culminated in the art of Michelangelo.
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Famous Persons: Dante Allighieri
c. 1450
Fresco, transferred to wood, 250 x 154 cm
Painting ID:: 32219
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Famous_Persons:_Dante_Allighieri
c. 1450
Fresco, transferred to wood, 250 x 154 cm
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Assumption of the Virgin
1529
Panel, 239 x 209 cm
Painting ID:: 32228
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Assumption_of_the_Virgin
1529
Panel, 239 x 209 cm
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Farinata degli Uberti
mk86
c.1450
Fresco
245x165cm
Florence,Galleria degli Uffizi
Painting ID:: 33379
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Farinata_degli_Uberti
mk86
c.1450
Fresco
245x165cm
Florence,Galleria degli Uffizi
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The Resurrecion
mk29
Tempera on poplar panel
28.5x33.7cm
Painting ID:: 38168
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The_Resurrecion
mk29
Tempera on poplar panel
28.5x33.7cm
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The Evanglists luke and john
mk157
1442
Fresco
Painting ID:: 41201
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The_Evanglists_luke_and_john
mk157
1442
Fresco
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Andrea_del_Castagno
Italian
c1421-1457
Andrea del Castagno Location
Italian
c1421-1457
Andrea del Castagno Location
Italian painter. He was the most influential 15th-century Florentine master, after Masaccio, of the realistic rendering of the figure and the representation of the human body as a three-dimensional solid by means of contours. By translating into the terms of painting the statues of the Florentine sculptors Nanni di Banco and Donatello, Castagno set Florentine painting on a course dominated by line (the Florentine tradition of disegno), the effect of relief and the sculptural depiction of the figure that became its distinctive trait throughout the Italian Renaissance, a trend that culminated in the art of Michelangelo.
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