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Andrea del Castagno
Italian
c1421-1457
Andrea del Castagno Location
Italian
c1421-1457
Andrea del Castagno Location
Italian painter. He was the most influential 15th-century Florentine master, after Masaccio, of the realistic rendering of the figure and the representation of the human body as a three-dimensional solid by means of contours. By translating into the terms of painting the statues of the Florentine sculptors Nanni di Banco and Donatello, Castagno set Florentine painting on a course dominated by line (the Florentine tradition of disegno), the effect of relief and the sculptural depiction of the figure that became its distinctive trait throughout the Italian Renaissance, a trend that culminated in the art of Michelangelo.
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Portrait of a Gentleman hh
Panel, 54 x 40,5 cm
National Gallery of Art, Washington
Painting ID:: 4767
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Portrait_of_a_Gentleman_hh
Panel, 54 x 40,5 cm
National Gallery of Art, Washington
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Monument to Niccolo da Tolentino
1456
Fresco
Duomo, Florence
Painting ID:: 4768
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Monument_to_Niccolo__da_Tolentino
1456
Fresco
Duomo, Florence
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Farinata degli Uberti (mk08)
C.1450
Fresco
245x165cm
Florence,Galleria degli Uffizi
Painting ID:: 21210
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Farinata_degli_Uberti_(mk08)
C.1450
Fresco
245x165cm
Florence,Galleria degli Uffizi
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Pippo Spano (mk25)
1450
Painting ID:: 24224
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Pippo_Spano_(mk25)
1450
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Abendmahl
mk66
um1450
Fresko
Cenacolo di S.Apollonia,Florenz
Painting ID:: 29395
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Abendmahl
mk66
um1450
Fresko
Cenacolo di S.Apollonia,Florenz
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Andrea_del_Castagno
Italian
c1421-1457
Andrea del Castagno Location
Italian
c1421-1457
Andrea del Castagno Location
Italian painter. He was the most influential 15th-century Florentine master, after Masaccio, of the realistic rendering of the figure and the representation of the human body as a three-dimensional solid by means of contours. By translating into the terms of painting the statues of the Florentine sculptors Nanni di Banco and Donatello, Castagno set Florentine painting on a course dominated by line (the Florentine tradition of disegno), the effect of relief and the sculptural depiction of the figure that became its distinctive trait throughout the Italian Renaissance, a trend that culminated in the art of Michelangelo.
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