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RAFFAELLO Sanzio
Italian High Renaissance Painter, 1483-1520
Italian painter and architect. As a member of Perugino's workshop, he established his mastery by 17 and began receiving important commissions. In 1504 he moved to Florence, where he executed many of his famous Madonnas; his unity of composition and suppression of inessentials is evident in The Madonna of the Goldfinch (c. 1506). Though influenced by Leonardo da Vinci's chiaroscuro and sfumato, his figure types were his own creation, with round, gentle faces that reveal human sentiments raised to a sublime serenity. In 1508 he was summoned to Rome to decorate a suite of papal chambers in the Vatican. The frescoes in the Stanza della Segnatura are probably his greatest work; the most famous, The School of Athens (1510 C 11), is a complex and magnificently ordered allegory of secular knowledge showing Greek philosophers in an architectural setting. The Madonnas he painted in Rome show him turning away from his earlier work's serenity to emphasize movement and grandeur, partly under Michelangelo's High Renaissance influence. The Sistine Madonna (1513) shows the richness of colour and new boldness of compositional invention typical of his Roman period. He became the most important portraitist in Rome, designed 10 large tapestries to hang in the Sistine Chapel, designed a church and a chapel, assumed the direction of work on St. Peter's Basilica at the death of Donato Bramante,
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Madonna of Loreto (Madonna del Velo) at
1509-10
Oil on wood, 120 x 90 cm
Mus??e Cond??, Chantilly
Painting ID:: 8741
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Madonna_of_Loreto_(Madonna_del_Velo)_at
1509-10
Oil on wood, 120 x 90 cm
Mus??e Cond??, Chantilly
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Aldobrandini Madonna (Garvagh Madonna)
1510
Oil on wood, 38,7 x 32,7 cm
National Gallery, London
Painting ID:: 8742
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Aldobrandini_Madonna_(Garvagh_Madonna)
1510
Oil on wood, 38,7 x 32,7 cm
National Gallery, London
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Madonna with the Blue Diadem
1510-11
Oil on wood, 68 x 44 cm
Mus??e du Louvre, Paris
Painting ID:: 8743
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Madonna_with_the_Blue_Diadem
1510-11
Oil on wood, 68 x 44 cm
Mus??e du Louvre, Paris
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Portrait of a Cardinal
1510-11
Oil on wood, 79 x 61 cm
Museo del Prado, Madrid
Painting ID:: 8744
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Portrait_of_a_Cardinal
1510-11
Oil on wood, 79 x 61 cm
Museo del Prado, Madrid
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The Triumph of Galatea (detail)
1511
Fresco
Villa Farnesina, Rome
Painting ID:: 8745
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The_Triumph_of_Galatea_(detail)
1511
Fresco
Villa Farnesina, Rome
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RAFFAELLO_Sanzio
Italian High Renaissance Painter, 1483-1520
Italian painter and architect. As a member of Perugino's workshop, he established his mastery by 17 and began receiving important commissions. In 1504 he moved to Florence, where he executed many of his famous Madonnas; his unity of composition and suppression of inessentials is evident in The Madonna of the Goldfinch (c. 1506). Though influenced by Leonardo da Vinci's chiaroscuro and sfumato, his figure types were his own creation, with round, gentle faces that reveal human sentiments raised to a sublime serenity. In 1508 he was summoned to Rome to decorate a suite of papal chambers in the Vatican. The frescoes in the Stanza della Segnatura are probably his greatest work; the most famous, The School of Athens (1510 C 11), is a complex and magnificently ordered allegory of secular knowledge showing Greek philosophers in an architectural setting. The Madonnas he painted in Rome show him turning away from his earlier work's serenity to emphasize movement and grandeur, partly under Michelangelo's High Renaissance influence. The Sistine Madonna (1513) shows the richness of colour and new boldness of compositional invention typical of his Roman period. He became the most important portraitist in Rome, designed 10 large tapestries to hang in the Sistine Chapel, designed a church and a chapel, assumed the direction of work on St. Peter's Basilica at the death of Donato Bramante,
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