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RAFFAELLO Sanzio
Italian High Renaissance Painter, 1483-1520
Italian painter and architect. As a member of Perugino's workshop, he established his mastery by 17 and began receiving important commissions. In 1504 he moved to Florence, where he executed many of his famous Madonnas; his unity of composition and suppression of inessentials is evident in The Madonna of the Goldfinch (c. 1506). Though influenced by Leonardo da Vinci's chiaroscuro and sfumato, his figure types were his own creation, with round, gentle faces that reveal human sentiments raised to a sublime serenity. In 1508 he was summoned to Rome to decorate a suite of papal chambers in the Vatican. The frescoes in the Stanza della Segnatura are probably his greatest work; the most famous, The School of Athens (1510 C 11), is a complex and magnificently ordered allegory of secular knowledge showing Greek philosophers in an architectural setting. The Madonnas he painted in Rome show him turning away from his earlier work's serenity to emphasize movement and grandeur, partly under Michelangelo's High Renaissance influence. The Sistine Madonna (1513) shows the richness of colour and new boldness of compositional invention typical of his Roman period. He became the most important portraitist in Rome, designed 10 large tapestries to hang in the Sistine Chapel, designed a church and a chapel, assumed the direction of work on St. Peter's Basilica at the death of Donato Bramante,
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Madonna with the Book (Connestabile Madonna) dy
1504
Tempera on canvas transferred from wood, diameter 17,9 cm
The Hermitage, St. Petersburg
Painting ID:: 8723
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Madonna_with_the_Book_(Connestabile_Madonna)__dy
1504
Tempera on canvas transferred from wood, diameter 17,9 cm
The Hermitage, St. Petersburg
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St George and the Dragon st
1505-06
Oil on wood, 28.5 x 21.5 cm
National Gallery of Art, Washington
Painting ID:: 8725
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St_George_and_the_Dragon_st
1505-06
Oil on wood, 28.5 x 21.5 cm
National Gallery of Art, Washington
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St Michael and the Dragon sdr
c. 1505
Oil on wood, 31 x 27 cm
Mus??e du Louvre, Paris
Painting ID:: 8726
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St_Michael_and_the_Dragon_sdr
c. 1505
Oil on wood, 31 x 27 cm
Mus??e du Louvre, Paris
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Young Man with an Apple
1505
Oil on wood, 47 x 35 cm
Galleria degli Uffizi, Florence
Painting ID:: 8727
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Young_Man_with_an_Apple
1505
Oil on wood, 47 x 35 cm
Galleria degli Uffizi, Florence
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Portrait of a Woman (La Donna Gravida) drty
1505-06
Oil on panel, 66 x 52 cm
Galleria Palatina (Palazzo Pitti), Florence
Painting ID:: 8728
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Portrait_of_a_Woman_(La_Donna_Gravida)_drty
1505-06
Oil on panel, 66 x 52 cm
Galleria Palatina (Palazzo Pitti), Florence
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RAFFAELLO_Sanzio
Italian High Renaissance Painter, 1483-1520
Italian painter and architect. As a member of Perugino's workshop, he established his mastery by 17 and began receiving important commissions. In 1504 he moved to Florence, where he executed many of his famous Madonnas; his unity of composition and suppression of inessentials is evident in The Madonna of the Goldfinch (c. 1506). Though influenced by Leonardo da Vinci's chiaroscuro and sfumato, his figure types were his own creation, with round, gentle faces that reveal human sentiments raised to a sublime serenity. In 1508 he was summoned to Rome to decorate a suite of papal chambers in the Vatican. The frescoes in the Stanza della Segnatura are probably his greatest work; the most famous, The School of Athens (1510 C 11), is a complex and magnificently ordered allegory of secular knowledge showing Greek philosophers in an architectural setting. The Madonnas he painted in Rome show him turning away from his earlier work's serenity to emphasize movement and grandeur, partly under Michelangelo's High Renaissance influence. The Sistine Madonna (1513) shows the richness of colour and new boldness of compositional invention typical of his Roman period. He became the most important portraitist in Rome, designed 10 large tapestries to hang in the Sistine Chapel, designed a church and a chapel, assumed the direction of work on St. Peter's Basilica at the death of Donato Bramante,
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