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Camille Pissaro
1830-1903
French
Camille Pissarro Locations
Painter and printmaker. He was the only painter to exhibit in all eight of the Impressionist exhibitions held between 1874 and 1886, and he is often regarded as the father of the movement. He was by no means narrow in outlook, however, and throughout his life remained as radical in artistic matters as he was in politics. Thadee Natanson wrote in 1948: Nothing of novelty or of excellence appeared that Pissarro had not been among the first, if not the very first, to discern and to defend. The significance of Pissarro work is in the balance maintained between tradition and the avant-garde. Octave Mirbeau commented: M. Camille Pissarro has shown himself to be a revolutionary by renewing the art of painting in a purely working sense; at the same time he has remained a purely classical artist in his love for exalted generalizations, his passion for nature and his respect for worthwhile traditions.
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Woman in a Field;Spring Sunlight in the Meadow at Eragny,summer (san07)
1887
1' 91/2"x2' 1 1/2"(54.5x65cm)
Bequest of Antonin Personnaz
Painting ID:: 20784
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Woman_in_a_Field;Spring_Sunlight_in_the_Meadow_at_Eragny,summer_(san07)
1887
1' 91/2"x2' 1 1/2"(54.5x65cm)
Bequest of Antonin Personnaz
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The Church of St.Jacques at Dieppe (san08)
1901
1' 9 1/2"2' 1 3/4"(54.5x65.5cm)
Painting ID:: 20786
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The_Church_of_St.Jacques_at_Dieppe_(san08)
1901
1' 9 1/2"2' 1 3/4"(54.5x65.5cm)
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Harfrost (mk06)
1873
2' 1 1/2'' x 3' 1''(65 x 93 cm)Bequest of Enriqueta Alsop,1972 RF 1972-27
Painting ID:: 21094
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Harfrost_(mk06)
1873
2' 1 1/2'' x 3' 1''(65 x 93 cm)Bequest of Enriqueta Alsop,1972 RF 1972-27
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The Crossroads,pontoise
mj156
1872
Oil on canvas
54.9x94cm
Painting ID:: 40750
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The_Crossroads,pontoise
mj156
1872
Oil on canvas
54.9x94cm
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View from Louveciennes
mk170
1869-1870
Oil on canvas
52.7x81.9cm
Painting ID:: 43349
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View_from_Louveciennes
mk170
1869-1870
Oil on canvas
52.7x81.9cm
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Camille_Pissaro
1830-1903
French
Camille Pissarro Locations
Painter and printmaker. He was the only painter to exhibit in all eight of the Impressionist exhibitions held between 1874 and 1886, and he is often regarded as the father of the movement. He was by no means narrow in outlook, however, and throughout his life remained as radical in artistic matters as he was in politics. Thadee Natanson wrote in 1948: Nothing of novelty or of excellence appeared that Pissarro had not been among the first, if not the very first, to discern and to defend. The significance of Pissarro work is in the balance maintained between tradition and the avant-garde. Octave Mirbeau commented: M. Camille Pissarro has shown himself to be a revolutionary by renewing the art of painting in a purely working sense; at the same time he has remained a purely classical artist in his love for exalted generalizations, his passion for nature and his respect for worthwhile traditions.
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