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Camille Pissaro
1830-1903
French
Camille Pissarro Locations
Painter and printmaker. He was the only painter to exhibit in all eight of the Impressionist exhibitions held between 1874 and 1886, and he is often regarded as the father of the movement. He was by no means narrow in outlook, however, and throughout his life remained as radical in artistic matters as he was in politics. Thadee Natanson wrote in 1948: Nothing of novelty or of excellence appeared that Pissarro had not been among the first, if not the very first, to discern and to defend. The significance of Pissarro work is in the balance maintained between tradition and the avant-garde. Octave Mirbeau commented: M. Camille Pissarro has shown himself to be a revolutionary by renewing the art of painting in a purely working sense; at the same time he has remained a purely classical artist in his love for exalted generalizations, his passion for nature and his respect for worthwhile traditions.
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Kitchen Garden with Trees in Flower, Pontoise
1877 Musee d'Orlay, Paris
Painting ID:: 4294
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Kitchen_Garden_with_Trees_in_Flower,_Pontoise
1877 Musee d'Orlay, Paris
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Hoarfrost
1873 Musee d'Orlay, Paris
Painting ID:: 4297
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Hoarfrost
1873 Musee d'Orlay, Paris
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The Old Market Town at Rouen
1898 The Metropolitan Museum of Art, New York
Painting ID:: 4303
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The_Old_Market_Town_at_Rouen
1898 The Metropolitan Museum of Art, New York
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Hyde Park, London
1890
Painting ID:: 4309
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Hyde_Park,_London
1890
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Kew, The Path to the Main Conservatory
1892
Painting ID:: 4313
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Kew,_The_Path_to_the_Main_Conservatory
1892
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Camille_Pissaro
1830-1903
French
Camille Pissarro Locations
Painter and printmaker. He was the only painter to exhibit in all eight of the Impressionist exhibitions held between 1874 and 1886, and he is often regarded as the father of the movement. He was by no means narrow in outlook, however, and throughout his life remained as radical in artistic matters as he was in politics. Thadee Natanson wrote in 1948: Nothing of novelty or of excellence appeared that Pissarro had not been among the first, if not the very first, to discern and to defend. The significance of Pissarro work is in the balance maintained between tradition and the avant-garde. Octave Mirbeau commented: M. Camille Pissarro has shown himself to be a revolutionary by renewing the art of painting in a purely working sense; at the same time he has remained a purely classical artist in his love for exalted generalizations, his passion for nature and his respect for worthwhile traditions.
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ARTISTS INDEX A B C D E F G H I J K L M N O P Q R S T U V W X Y Z
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