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Camille Pissaro
1830-1903
French
Camille Pissarro Locations
Painter and printmaker. He was the only painter to exhibit in all eight of the Impressionist exhibitions held between 1874 and 1886, and he is often regarded as the father of the movement. He was by no means narrow in outlook, however, and throughout his life remained as radical in artistic matters as he was in politics. Thadee Natanson wrote in 1948: Nothing of novelty or of excellence appeared that Pissarro had not been among the first, if not the very first, to discern and to defend. The significance of Pissarro work is in the balance maintained between tradition and the avant-garde. Octave Mirbeau commented: M. Camille Pissarro has shown himself to be a revolutionary by renewing the art of painting in a purely working sense; at the same time he has remained a purely classical artist in his love for exalted generalizations, his passion for nature and his respect for worthwhile traditions.
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Resting in the Woods at Pontoise
1878 Kunsthalle, Hamburg
Painting ID:: 4317
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Resting_in_the_Woods_at_Pontoise
1878 Kunsthalle, Hamburg
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Portrait of Madame Pissarro Sewing near a Window
1878-79 Ashmolean Museum, Oxford
Painting ID:: 4322
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Portrait_of_Madame_Pissarro_Sewing_near_a_Window
1878-79 Ashmolean Museum, Oxford
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Sunlight on the Road, Pontoise
1874 Museum of Fine Arts, Boston
Painting ID:: 4326
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Sunlight_on_the_Road,_Pontoise
1874 Museum of Fine Arts, Boston
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Morning Sunlight on the Snow, Eragny sur Epte
1895 Museum of Fine Arts, Boston
Painting ID:: 4328
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Morning_Sunlight_on_the_Snow,_Eragny_sur_Epte
1895 Museum of Fine Arts, Boston
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Sunset at St. Charles, Eragny
1891 Sterling & Francine Clark Art Institute, Williamstown, Mass
Painting ID:: 4330
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Sunset_at_St._Charles,_Eragny
1891 Sterling & Francine Clark Art Institute, Williamstown, Mass
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Camille_Pissaro
1830-1903
French
Camille Pissarro Locations
Painter and printmaker. He was the only painter to exhibit in all eight of the Impressionist exhibitions held between 1874 and 1886, and he is often regarded as the father of the movement. He was by no means narrow in outlook, however, and throughout his life remained as radical in artistic matters as he was in politics. Thadee Natanson wrote in 1948: Nothing of novelty or of excellence appeared that Pissarro had not been among the first, if not the very first, to discern and to defend. The significance of Pissarro work is in the balance maintained between tradition and the avant-garde. Octave Mirbeau commented: M. Camille Pissarro has shown himself to be a revolutionary by renewing the art of painting in a purely working sense; at the same time he has remained a purely classical artist in his love for exalted generalizations, his passion for nature and his respect for worthwhile traditions.
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ARTISTS INDEX A B C D E F G H I J K L M N O P Q R S T U V W X Y Z
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