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Vittore Carpaccio
Italian
1455-1526
Vittore Carpaccio Locations
His name is associated with the cycles of lively and festive narrative paintings that he executed for several of the Venetian scuole, or devotional confraternities. He also seems to have enjoyed a considerable reputation as a portrait painter. While evidently owing much in both these fields to his older contemporaries, Gentile and Giovanni Bellini, Carpaccio quickly evolved a readily recognizable style of his own which is marked by a taste for decorative splendour and picturesque anecdote. His altarpieces and smaller devotional works are generally less successful, particularly after about 1510, when he seems to have suffered a crisis of confidence in the face of the radical innovations of younger artists such as Giorgione and Titian.
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St.Augustine in his study
mk157
1501-03
Oil on canvas
141x210cm
Painting ID:: 41207
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St.Augustine_in_his_study
mk157
1501-03
Oil on canvas
141x210cm
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The Meditaion on the Passing
mk161
Tempera on wood
Painting ID:: 41276
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The_Meditaion_on_the_Passing
mk161
Tempera on wood
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Cure of a possessed man through the patriarch of Grado
MK169
1494 Cloth 365x389cm
Painting ID:: 42637
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Cure_of_a_possessed_man_through_the_patriarch_of_Grado
MK169
1494 Cloth 365x389cm
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The Departure of Ceyx
mk170
1495-1500
Oil on spruce
74.9x88.9cm
Painting ID:: 42919
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The_Departure_of_Ceyx
mk170
1495-1500
Oil on spruce
74.9x88.9cm
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Escape to Egypt
mk234
about 1500
72x112cm
Painting ID:: 53712
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Escape_to_Egypt
mk234
about 1500
72x112cm
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Vittore_Carpaccio
Italian
1455-1526
Vittore Carpaccio Locations
His name is associated with the cycles of lively and festive narrative paintings that he executed for several of the Venetian scuole, or devotional confraternities. He also seems to have enjoyed a considerable reputation as a portrait painter. While evidently owing much in both these fields to his older contemporaries, Gentile and Giovanni Bellini, Carpaccio quickly evolved a readily recognizable style of his own which is marked by a taste for decorative splendour and picturesque anecdote. His altarpieces and smaller devotional works are generally less successful, particularly after about 1510, when he seems to have suffered a crisis of confidence in the face of the radical innovations of younger artists such as Giorgione and Titian.
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ARTWORKS INDEX
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ARTISTS INDEX A B C D E F G H I J K L M N O P Q R S T U V W X Y Z
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