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Vittore Carpaccio
Italian
1455-1526
Vittore Carpaccio Locations
His name is associated with the cycles of lively and festive narrative paintings that he executed for several of the Venetian scuole, or devotional confraternities. He also seems to have enjoyed a considerable reputation as a portrait painter. While evidently owing much in both these fields to his older contemporaries, Gentile and Giovanni Bellini, Carpaccio quickly evolved a readily recognizable style of his own which is marked by a taste for decorative splendour and picturesque anecdote. His altarpieces and smaller devotional works are generally less successful, particularly after about 1510, when he seems to have suffered a crisis of confidence in the face of the radical innovations of younger artists such as Giorgione and Titian.
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Madonna and Blessing Child
c1505
National Gallery of Art, Washington DC
Painting ID:: 339
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Madonna_and_Blessing_Child
c1505
National Gallery of Art, Washington DC
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The Flight into Egypt
1500
National Gallery of Art, Washington DC
Painting ID:: 340
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The_Flight_into_Egypt
1500
National Gallery of Art, Washington DC
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The Virgin Reading
c1505
National Gallery of Art, Washington DC
Painting ID:: 341
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The_Virgin_Reading
c1505
National Gallery of Art, Washington DC
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Holy Conversation
Musee du Petit Palais, Avignon
Painting ID:: 342
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Holy_Conversation
Musee du Petit Palais, Avignon
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Stephen Preaching at Jerusalem (mk05)
Canvas,58 1/4 x 76 1/2''(148 x 194 cm)Entered the Louvre in 1812
Painting ID:: 20081
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Stephen_Preaching_at_Jerusalem_(mk05)
Canvas,58 1/4 x 76 1/2''(148 x 194 cm)Entered the Louvre in 1812
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Vittore_Carpaccio
Italian
1455-1526
Vittore Carpaccio Locations
His name is associated with the cycles of lively and festive narrative paintings that he executed for several of the Venetian scuole, or devotional confraternities. He also seems to have enjoyed a considerable reputation as a portrait painter. While evidently owing much in both these fields to his older contemporaries, Gentile and Giovanni Bellini, Carpaccio quickly evolved a readily recognizable style of his own which is marked by a taste for decorative splendour and picturesque anecdote. His altarpieces and smaller devotional works are generally less successful, particularly after about 1510, when he seems to have suffered a crisis of confidence in the face of the radical innovations of younger artists such as Giorgione and Titian.
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ARTWORKS INDEX
A B C D E F G H I J K L M N O P Q R S T U V W X Y Z
ARTISTS INDEX A B C D E F G H I J K L M N O P Q R S T U V W X Y Z
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Wholesale China Oil Painting Wholesale Oil Painting China Xiamen Portrait Reproduction on canvas Chinese Oil Painting Wholesale
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