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Vittore Carpaccio
Italian
1455-1526
Vittore Carpaccio Locations
His name is associated with the cycles of lively and festive narrative paintings that he executed for several of the Venetian scuole, or devotional confraternities. He also seems to have enjoyed a considerable reputation as a portrait painter. While evidently owing much in both these fields to his older contemporaries, Gentile and Giovanni Bellini, Carpaccio quickly evolved a readily recognizable style of his own which is marked by a taste for decorative splendour and picturesque anecdote. His altarpieces and smaller devotional works are generally less successful, particularly after about 1510, when he seems to have suffered a crisis of confidence in the face of the radical innovations of younger artists such as Giorgione and Titian.
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Meeting of the Betrothed Couple (detail)
1495
Tempera on canvas
Painting ID:: 32271
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Meeting_of_the_Betrothed_Couple_(detail)
1495
Tempera on canvas
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The Dream of St Ursula
mk156
1495
Tempera on canvas
274x267cm
Painting ID:: 40270
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The_Dream_of_St_Ursula
mk156
1495
Tempera on canvas
274x267cm
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Venetian Ladies,known as the courtesans
mk157
c.1490
Oil on wood
94x61cm
Painting ID:: 41182
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Venetian_Ladies,known_as_the_courtesans
mk157
c.1490
Oil on wood
94x61cm
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Triumph of St. George
mk157
1502-07
Oil on canvas
141x360cm
Painting ID:: 41205
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Triumph_of_St._George
mk157
1502-07
Oil on canvas
141x360cm
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Christ on the Mount of Olives
mk157
1501-03
oil on canvas
141x107cm
Painting ID:: 41206
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Christ_on_the_Mount_of_Olives
mk157
1501-03
oil on canvas
141x107cm
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Vittore_Carpaccio
Italian
1455-1526
Vittore Carpaccio Locations
His name is associated with the cycles of lively and festive narrative paintings that he executed for several of the Venetian scuole, or devotional confraternities. He also seems to have enjoyed a considerable reputation as a portrait painter. While evidently owing much in both these fields to his older contemporaries, Gentile and Giovanni Bellini, Carpaccio quickly evolved a readily recognizable style of his own which is marked by a taste for decorative splendour and picturesque anecdote. His altarpieces and smaller devotional works are generally less successful, particularly after about 1510, when he seems to have suffered a crisis of confidence in the face of the radical innovations of younger artists such as Giorgione and Titian.
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ARTISTS INDEX A B C D E F G H I J K L M N O P Q R S T U V W X Y Z
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