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Joachim Beuckelaer
1535-1574
Flemish
Joachim Beuckelaer Galleries
b Antwerp, c. 1534; dAntwerp, c. 1574). Flemish painter. He came from an Antwerp family of obscure painters and seems to have spent his entire life there. He trained in the studio of Pieter Aertsen, who in 1542 had married Beuckelaers aunt; he became an independent master and also married in 1560. His earliest known work dates from that year, and his development can be followed closely to 1570. The example of Beuckelaers master remained decisive throughout his career. Not only did he take over Aertsens new repertory of secular subjects, he also completely adopted his stylistic idiom and manner of painting, so that it can be difficult to distinguish the two hands. Beuckelaer was, however, by no means a slavish imitator, and as regards execution he fully bears comparison with Aertsen.
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Market Scene
second half of 16th century
Medium oil on wood
cyf
Painting ID:: 88990
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Market_Scene
second half of 16th century
Medium oil on wood
cyf
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Christ on the Cross
1567(1567)
Medium Oil on wood
cyf
Painting ID:: 88991
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Christ_on_the_Cross
1567(1567)
Medium Oil on wood
cyf
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Beuckelaer
1563(1563)
Medium oil on oak
cyf
Painting ID:: 89343
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Beuckelaer
1563(1563)
Medium oil on oak
cyf
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Slaughtered Pig
1563(1563)
Medium oil on oak
cyf
Painting ID:: 89652
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Slaughtered_Pig
1563(1563)
Medium oil on oak
cyf
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Market Woman with Fruit
1564(1564)
Medium oil on oak
cyf
Painting ID:: 89955
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Market_Woman_with_Fruit
1564(1564)
Medium oil on oak
cyf
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Joachim_Beuckelaer
1535-1574
Flemish
Joachim Beuckelaer Galleries
b Antwerp, c. 1534; dAntwerp, c. 1574). Flemish painter. He came from an Antwerp family of obscure painters and seems to have spent his entire life there. He trained in the studio of Pieter Aertsen, who in 1542 had married Beuckelaers aunt; he became an independent master and also married in 1560. His earliest known work dates from that year, and his development can be followed closely to 1570. The example of Beuckelaers master remained decisive throughout his career. Not only did he take over Aertsens new repertory of secular subjects, he also completely adopted his stylistic idiom and manner of painting, so that it can be difficult to distinguish the two hands. Beuckelaer was, however, by no means a slavish imitator, and as regards execution he fully bears comparison with Aertsen.
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ARTWORKS INDEX
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ARTISTS INDEX A B C D E F G H I J K L M N O P Q R S T U V W X Y Z
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