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Joachim Beuckelaer
1535-1574
Flemish
Joachim Beuckelaer Galleries
b Antwerp, c. 1534; dAntwerp, c. 1574). Flemish painter. He came from an Antwerp family of obscure painters and seems to have spent his entire life there. He trained in the studio of Pieter Aertsen, who in 1542 had married Beuckelaers aunt; he became an independent master and also married in 1560. His earliest known work dates from that year, and his development can be followed closely to 1570. The example of Beuckelaers master remained decisive throughout his career. Not only did he take over Aertsens new repertory of secular subjects, he also completely adopted his stylistic idiom and manner of painting, so that it can be difficult to distinguish the two hands. Beuckelaer was, however, by no means a slavish imitator, and as regards execution he fully bears comparison with Aertsen.
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Market Woman with Fruits, Vegetables and Poultry
1564 Staatliche Kunstsammlungen, Kassel
Painting ID:: 70
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Market_Woman_with_Fruits,_Vegetables_and_Poultry
1564 Staatliche Kunstsammlungen, Kassel
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Market Woman with Fruit,Vegetables and Poultry (mk14)
1564
Oil on oakwood,118 x 170.5 cm
Schlo Wilhelmshohe,Staatliche Kunstsammlungen,Kassel
Painting ID:: 21967
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Market_Woman_with_Fruit,Vegetables_and_Poultry_(mk14)
1564
Oil on oakwood,118 x 170.5 cm
Schlo Wilhelmshohe,Staatliche Kunstsammlungen,Kassel
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Slaughtered Pig (mk14)
1563
Oil on oakwood,114 x 83 cm
Wallraf-Richartz-Museum,Cologne
Painting ID:: 21977
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Slaughtered_Pig_(mk14)
1563
Oil on oakwood,114 x 83 cm
Wallraf-Richartz-Museum,Cologne
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Pilate Shows Jesus to the People
mk65
Oil on panel
43 5/16x55 1/8in
Uffizi.
Painting ID:: 28970
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Pilate_Shows_Jesus_to_the_People
mk65
Oil on panel
43 5/16x55 1/8in
Uffizi.
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A Village Celebration
mk65
1563
Oil on canvas
transferred from panel
44x64"
Painting ID:: 29357
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A_Village_Celebration
mk65
1563
Oil on canvas
transferred from panel
44x64"
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Joachim_Beuckelaer
1535-1574
Flemish
Joachim Beuckelaer Galleries
b Antwerp, c. 1534; dAntwerp, c. 1574). Flemish painter. He came from an Antwerp family of obscure painters and seems to have spent his entire life there. He trained in the studio of Pieter Aertsen, who in 1542 had married Beuckelaers aunt; he became an independent master and also married in 1560. His earliest known work dates from that year, and his development can be followed closely to 1570. The example of Beuckelaers master remained decisive throughout his career. Not only did he take over Aertsens new repertory of secular subjects, he also completely adopted his stylistic idiom and manner of painting, so that it can be difficult to distinguish the two hands. Beuckelaer was, however, by no means a slavish imitator, and as regards execution he fully bears comparison with Aertsen.
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ARTWORKS INDEX
A B C D E F G H I J K L M N O P Q R S T U V W X Y Z
ARTISTS INDEX A B C D E F G H I J K L M N O P Q R S T U V W X Y Z
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