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Joachim Beuckelaer
1535-1574
Flemish
Joachim Beuckelaer Galleries
b Antwerp, c. 1534; dAntwerp, c. 1574). Flemish painter. He came from an Antwerp family of obscure painters and seems to have spent his entire life there. He trained in the studio of Pieter Aertsen, who in 1542 had married Beuckelaers aunt; he became an independent master and also married in 1560. His earliest known work dates from that year, and his development can be followed closely to 1570. The example of Beuckelaers master remained decisive throughout his career. Not only did he take over Aertsens new repertory of secular subjects, he also completely adopted his stylistic idiom and manner of painting, so that it can be difficult to distinguish the two hands. Beuckelaer was, however, by no means a slavish imitator, and as regards execution he fully bears comparison with Aertsen.
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Detail of A Village Celebration
mk65
Painting ID:: 29358
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Detail_of_A_Village_Celebration
mk65
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Market Scene (detail)
Oil on wood,
113 x 81,5 cm
Painting ID:: 32251
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Market_Scene_(detail)
Oil on wood,
113 x 81,5 cm
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Peasants at market
mk150
1567
monogrammed and dated Panel
109x140cm
Painting ID:: 39675
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Peasants_at_market
mk150
1567
monogrammed and dated Panel
109x140cm
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At the Market
mk156
1564
OIl on panel
128x166cm
Painting ID:: 40383
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At_the_Market
mk156
1564
OIl on panel
128x166cm
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Museum national market woman with fruits, Gemuse and Geflugel
mk186
1564 Kassel
Painting ID:: 45568
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Museum_national_market_woman_with_fruits,_Gemuse_and_Geflugel
mk186
1564 Kassel
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Joachim_Beuckelaer
1535-1574
Flemish
Joachim Beuckelaer Galleries
b Antwerp, c. 1534; dAntwerp, c. 1574). Flemish painter. He came from an Antwerp family of obscure painters and seems to have spent his entire life there. He trained in the studio of Pieter Aertsen, who in 1542 had married Beuckelaers aunt; he became an independent master and also married in 1560. His earliest known work dates from that year, and his development can be followed closely to 1570. The example of Beuckelaers master remained decisive throughout his career. Not only did he take over Aertsens new repertory of secular subjects, he also completely adopted his stylistic idiom and manner of painting, so that it can be difficult to distinguish the two hands. Beuckelaer was, however, by no means a slavish imitator, and as regards execution he fully bears comparison with Aertsen.
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ARTWORKS INDEX
A B C D E F G H I J K L M N O P Q R S T U V W X Y Z
ARTISTS INDEX A B C D E F G H I J K L M N O P Q R S T U V W X Y Z
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