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Jean Baptiste Camille Corot
1796-1875
Corot Locations
French painter, draughtsman and printmaker.
After a classical education at the College de Rouen, where he did not distinguish himself, and an unsuccessful apprenticeship with two drapers, Corot was allowed to devote himself to painting at the age of 26. He was given some money that had been intended for his sister, who had died in 1821, and this, together with what we must assume was his family continued generosity, freed him from financial worries and from having to sell his paintings to earn a living. Corot chose to follow a modified academic course of training. He did not enrol in the Ecole des Beaux-Arts but studied instead with Achille Etna Michallon and, after Michallon death in 1822, with Jean-Victor Bertin. Both had been pupils of Pierre-Henri Valenciennes, and, although in later years Corot denied that he had learnt anything of value from his teachers, his career as a whole shows his attachment to the principles of historic landscape painting which they professed.
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The Bride (mk05)
Canvas 12 1/2 x 10''(32 x 25 cm)Given in 1906 R.F 1634 (MN)
Painting ID:: 20898
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The_Bride_(mk05)
Canvas 12 1/2 x 10''(32 x 25 cm)Given in 1906 R.F 1634 (MN)
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Portrait de Partiste a I'age de vingt-neuf ans -1825 (mk11)
Paris Musee du Louvre
Painting ID:: 20984
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Portrait_de_Partiste_a_I'age_de_vingt-neuf_ans_-1825_(mk11)
Paris Musee du Louvre
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Corot la Palette d la main (mk11)
Vers 1835 Florence,Galerie des offices
Painting ID:: 20985
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Corot_la_Palette_d_la_main_(mk11)
Vers 1835 Florence,Galerie des offices
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Femme de Pecheur de Dieppe (mk11)
vers 1823 Lyon Musee des Beaux-Arts
Painting ID:: 20986
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Femme_de_Pecheur_de_Dieppe_(mk11)
vers 1823 Lyon Musee des Beaux-Arts
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Les Maisons Cabassud a Ville-d'Avray (mk11)
1835/1840 Paris ,Musee du Louvre
Painting ID:: 20987
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Les_Maisons_Cabassud_a_Ville-d'Avray_(mk11)
1835/1840 Paris ,Musee du Louvre
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Jean_Baptiste_Camille__Corot
1796-1875
Corot Locations
French painter, draughtsman and printmaker.
After a classical education at the College de Rouen, where he did not distinguish himself, and an unsuccessful apprenticeship with two drapers, Corot was allowed to devote himself to painting at the age of 26. He was given some money that had been intended for his sister, who had died in 1821, and this, together with what we must assume was his family continued generosity, freed him from financial worries and from having to sell his paintings to earn a living. Corot chose to follow a modified academic course of training. He did not enrol in the Ecole des Beaux-Arts but studied instead with Achille Etna Michallon and, after Michallon death in 1822, with Jean-Victor Bertin. Both had been pupils of Pierre-Henri Valenciennes, and, although in later years Corot denied that he had learnt anything of value from his teachers, his career as a whole shows his attachment to the principles of historic landscape painting which they professed.
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