Jean Baptiste Camille Corot 1796-1875
Corot Locations
French painter, draughtsman and printmaker.
After a classical education at the College de Rouen, where he did not distinguish himself, and an unsuccessful apprenticeship with two drapers, Corot was allowed to devote himself to painting at the age of 26. He was given some money that had been intended for his sister, who had died in 1821, and this, together with what we must assume was his family continued generosity, freed him from financial worries and from having to sell his paintings to earn a living. Corot chose to follow a modified academic course of training. He did not enrol in the Ecole des Beaux-Arts but studied instead with Achille Etna Michallon and, after Michallon death in 1822, with Jean-Victor Bertin. Both had been pupils of Pierre-Henri Valenciennes, and, although in later years Corot denied that he had learnt anything of value from his teachers, his career as a whole shows his attachment to the principles of historic landscape painting which they professed.
Woman in Blue (mk05) Canvas 31 1/2 x 20''(80 x 51 cm)Sold by the artist to M.Bardon;collection Henri Rouart; acquired by the Louvre in 1912 R.F 2056(G/AR)
Painting ID:: 20889
Woman_in_Blue_(mk05) Canvas 31 1/2 x 20''(80 x 51 cm)Sold by the artist to M.Bardon;collection Henri Rouart; acquired by the Louvre in 1912 R.F 2056(G/AR)
A Gate Shaded by Trees also called Entrance to the Chateau Breton Landscapee (mk05) Paper on canvas 12 1/2 x 17''(32 x 43 cm)Given in 1906R.F 1621 (MN)
Painting ID:: 20890
A_Gate_Shaded_by_Trees_also_called_Entrance_to_the_Chateau_Breton_Landscapee_(mk05) Paper on canvas 12 1/2 x 17''(32 x 43 cm)Given in 1906R.F 1621 (MN)
Jean_Baptiste_Camille__Corot 1796-1875
Corot Locations
French painter, draughtsman and printmaker.
After a classical education at the College de Rouen, where he did not distinguish himself, and an unsuccessful apprenticeship with two drapers, Corot was allowed to devote himself to painting at the age of 26. He was given some money that had been intended for his sister, who had died in 1821, and this, together with what we must assume was his family continued generosity, freed him from financial worries and from having to sell his paintings to earn a living. Corot chose to follow a modified academic course of training. He did not enrol in the Ecole des Beaux-Arts but studied instead with Achille Etna Michallon and, after Michallon death in 1822, with Jean-Victor Bertin. Both had been pupils of Pierre-Henri Valenciennes, and, although in later years Corot denied that he had learnt anything of value from his teachers, his career as a whole shows his attachment to the principles of historic landscape painting which they professed.