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James Mcneill Whistler
American Painter and Printmaker, 1834-1903
James Abbott McNeill Whistler's deft brushwork and mighty ego made him one of London's best-known painters in the second half of the 1800s. Born in Massachusetts, Whistler spent most of his adult life in England and France, in an era when an American artist in Europe was something of a rarity. He specialized in landscapes and (especially later in his career) portraits; stylistically he is often linked with Claude Monet and August Renoir, though he was not exactly part of the Impressionist movement. His etchings also are highly regarded. Witty, cranky and a bit of a devil, Whistler was a regular gadabout in British society. He had a famous long-running feud with the playwright Oscar Wilde, each of them trying to outwit the other with cutting public remarks. Some critics of the era considered Whistler's work to be smudgy and too radical; after viewing Whistler's 1875 study of fireworks over the Thames, Nocturne in Black and Gold: the Falling Rocket, John Ruskin wrote: "I have seen, and heard, much of cockney impudence before now; but never expected to hear a coxcomb ask two hundred guineas for flinging a pot of paint in the public's face." Whistler successfully sued Ruskin for libel but was awarded only a farthing in damages,
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Noc-turne in Black and Gold:the Falling Rocket (mk43)
c.1875
The Detroit Institute of Arts,Gift of Dexter M.Ferry,jr.
Painting ID:: 25709
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Noc-turne_in_Black_and_Gold:the_Falling_Rocket_(mk43)
c.1875
The Detroit Institute of Arts,Gift of Dexter M.Ferry,jr.
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Noc-turne:Blue and Silver-Bognor (mk43)
1871-1876
Free Gallery of Art,Smithsonian institution
Painting ID:: 25710
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Noc-turne:Blue_and_Silver-Bognor_(mk43)
1871-1876
Free Gallery of Art,Smithsonian institution
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Chelsea Shops (mk46)
Watercolour
12.5x21cm
Washington.D.C.
Painting ID:: 26047
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Chelsea_Shops_(mk46)
Watercolour
12.5x21cm
Washington.D.C.
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Portrait of Painter-s Mother
mk142
1871
Oil on canvas
144.3x162.5cm
Musee d-Orsay,
Paris
Painting ID:: 38949
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Portrait_of_Painter-s_Mother
mk142
1871
Oil on canvas
144.3x162.5cm
Musee d-Orsay,
Paris
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At the Piano
mk142
1858-59
Oil on canvas
67x91.6cm
Painting ID:: 38974
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At_the_Piano
mk142
1858-59
Oil on canvas
67x91.6cm
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James_Mcneill_Whistler
American Painter and Printmaker, 1834-1903
James Abbott McNeill Whistler's deft brushwork and mighty ego made him one of London's best-known painters in the second half of the 1800s. Born in Massachusetts, Whistler spent most of his adult life in England and France, in an era when an American artist in Europe was something of a rarity. He specialized in landscapes and (especially later in his career) portraits; stylistically he is often linked with Claude Monet and August Renoir, though he was not exactly part of the Impressionist movement. His etchings also are highly regarded. Witty, cranky and a bit of a devil, Whistler was a regular gadabout in British society. He had a famous long-running feud with the playwright Oscar Wilde, each of them trying to outwit the other with cutting public remarks. Some critics of the era considered Whistler's work to be smudgy and too radical; after viewing Whistler's 1875 study of fireworks over the Thames, Nocturne in Black and Gold: the Falling Rocket, John Ruskin wrote: "I have seen, and heard, much of cockney impudence before now; but never expected to hear a coxcomb ask two hundred guineas for flinging a pot of paint in the public's face." Whistler successfully sued Ruskin for libel but was awarded only a farthing in damages,
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ARTISTS INDEX A B C D E F G H I J K L M N O P Q R S T U V W X Y Z
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