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James Mcneill Whistler
American Painter and Printmaker, 1834-1903
James Abbott McNeill Whistler's deft brushwork and mighty ego made him one of London's best-known painters in the second half of the 1800s. Born in Massachusetts, Whistler spent most of his adult life in England and France, in an era when an American artist in Europe was something of a rarity. He specialized in landscapes and (especially later in his career) portraits; stylistically he is often linked with Claude Monet and August Renoir, though he was not exactly part of the Impressionist movement. His etchings also are highly regarded. Witty, cranky and a bit of a devil, Whistler was a regular gadabout in British society. He had a famous long-running feud with the playwright Oscar Wilde, each of them trying to outwit the other with cutting public remarks. Some critics of the era considered Whistler's work to be smudgy and too radical; after viewing Whistler's 1875 study of fireworks over the Thames, Nocturne in Black and Gold: the Falling Rocket, John Ruskin wrote: "I have seen, and heard, much of cockney impudence before now; but never expected to hear a coxcomb ask two hundred guineas for flinging a pot of paint in the public's face." Whistler successfully sued Ruskin for libel but was awarded only a farthing in damages,
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nocturne blue and silver chelsea
mk247
1871 ,oil on wood support ,19.5x23.875 in,50x61 cm,tate collection,london,uk
Painting ID:: 56272
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nocturne_blue_and_silver_chelsea
mk247
1871 ,oil on wood support ,19.5x23.875 in,50x61 cm,tate collection,london,uk
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arrangement in grey and black the artist s mother
mk247
1871,oil on canvas,56.75x63.875 in,144x162 cm,musee d orsay,paris,france
Painting ID:: 56273
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arrangement_in_grey_and_black_the_artist_s_mother
mk247
1871,oil on canvas,56.75x63.875 in,144x162 cm,musee d orsay,paris,france
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nocturne in black and gold the falling rocket
mk247
c.1875,oil on wood,23.75x18.375 in,60.5x46.5 cm,detroit lnstitute of arts,detroit,mi ,usa
Painting ID:: 56286
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nocturne_in_black_and_gold_the_falling_rocket
mk247
c.1875,oil on wood,23.75x18.375 in,60.5x46.5 cm,detroit lnstitute of arts,detroit,mi ,usa
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Arrangement in Gray
1872(1872)
Medium Oil on canvas
cyf
Painting ID:: 83007
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Arrangement_in_Gray
1872(1872)
Medium Oil on canvas
cyf
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Wapping
Date 1861(1861)
Medium Oil on canvas
Dimensions Deutsch: 71,1 x 101,6 cm
cjr
Painting ID:: 86623
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Wapping
Date 1861(1861)
Medium Oil on canvas
Dimensions Deutsch: 71,1 x 101,6 cm
cjr
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James_Mcneill_Whistler
American Painter and Printmaker, 1834-1903
James Abbott McNeill Whistler's deft brushwork and mighty ego made him one of London's best-known painters in the second half of the 1800s. Born in Massachusetts, Whistler spent most of his adult life in England and France, in an era when an American artist in Europe was something of a rarity. He specialized in landscapes and (especially later in his career) portraits; stylistically he is often linked with Claude Monet and August Renoir, though he was not exactly part of the Impressionist movement. His etchings also are highly regarded. Witty, cranky and a bit of a devil, Whistler was a regular gadabout in British society. He had a famous long-running feud with the playwright Oscar Wilde, each of them trying to outwit the other with cutting public remarks. Some critics of the era considered Whistler's work to be smudgy and too radical; after viewing Whistler's 1875 study of fireworks over the Thames, Nocturne in Black and Gold: the Falling Rocket, John Ruskin wrote: "I have seen, and heard, much of cockney impudence before now; but never expected to hear a coxcomb ask two hundred guineas for flinging a pot of paint in the public's face." Whistler successfully sued Ruskin for libel but was awarded only a farthing in damages,
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