Oil Painting Artist::. James Mcneill Whistler

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     James Mcneill Whistler
    American Painter and Printmaker, 1834-1903 James Abbott McNeill Whistler's deft brushwork and mighty ego made him one of London's best-known painters in the second half of the 1800s. Born in Massachusetts, Whistler spent most of his adult life in England and France, in an era when an American artist in Europe was something of a rarity. He specialized in landscapes and (especially later in his career) portraits; stylistically he is often linked with Claude Monet and August Renoir, though he was not exactly part of the Impressionist movement. His etchings also are highly regarded. Witty, cranky and a bit of a devil, Whistler was a regular gadabout in British society. He had a famous long-running feud with the playwright Oscar Wilde, each of them trying to outwit the other with cutting public remarks. Some critics of the era considered Whistler's work to be smudgy and too radical; after viewing Whistler's 1875 study of fireworks over the Thames, Nocturne in Black and Gold: the Falling Rocket, John Ruskin wrote: "I have seen, and heard, much of cockney impudence before now; but never expected to hear a coxcomb ask two hundred guineas for flinging a pot of paint in the public's face." Whistler successfully sued Ruskin for libel but was awarded only a farthing in damages,

James Mcneill Whistler Trouville oil painting artist
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Trouville
mk142 1865 Oil on canvas 49.5x75.5cm

     Painting ID::  38980
INCHES CM PRICE  
16x20 40x50 $69
20x24 50x60 $89
24x36 60x90 $139
30x40 75x100 $149
36x48 90x120 $219
48x72 120x180 $399
  Trouville
mk142 1865 Oil on canvas 49.5x75.5cm

James Mcneill Whistler Brown and Silver Old Battersea Bridge oil painting artist
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Brown and Silver Old Battersea Bridge
mk146 1859-63 Oil on canvas

     Painting ID::  39296
INCHES CM PRICE  
16x20 40x50 $69
20x24 50x60 $89
24x36 60x90 $139
30x40 75x100 $149
36x48 90x120 $219
48x72 120x180 $399
  Brown_and_Silver_Old_Battersea_Bridge
mk146 1859-63 Oil on canvas

James Mcneill Whistler The Little White Girl Symphony in White no.2 1864 oil painting artist
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The Little White Girl Symphony in White no.2 1864
mk147 Tate Gallery,London

     Painting ID::  39316
INCHES CM PRICE  
16x20 40x50 $69
20x24 50x60 $89
24x36 60x90 $139
30x40 75x100 $149
36x48 90x120 $219
48x72 120x180 $399
  The_Little_White_Girl_Symphony_in_White_no.2_1864
mk147 Tate Gallery,London

James Mcneill Whistler Whistler-s passion for all things oriental is presented here in his the princess from the Land of Porcelain oil painting artist
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Whistler-s passion for all things oriental is presented here in his the princess from the Land of Porcelain
mk177

     Painting ID::  44779
INCHES CM PRICE  
16x20 40x50 $69
20x24 50x60 $89
24x36 60x90 $139
30x40 75x100 $149
36x48 90x120 $219
48x72 120x180 $399
  Whistler-s_passion_for_all_things_oriental_is_presented_here_in_his_the_princess_from_the_Land_of_Porcelain
mk177

James Mcneill Whistler Self-Portrait oil painting artist
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Self-Portrait
mk177 Arrangerment in Grap

     Painting ID::  44782
INCHES CM PRICE  
16x20 40x50 $69
20x24 50x60 $89
24x36 60x90 $139
30x40 75x100 $149
36x48 90x120 $219
48x72 120x180 $399
  Self-Portrait
mk177 Arrangerment in Grap

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     James_Mcneill_Whistler
    American Painter and Printmaker, 1834-1903 James Abbott McNeill Whistler's deft brushwork and mighty ego made him one of London's best-known painters in the second half of the 1800s. Born in Massachusetts, Whistler spent most of his adult life in England and France, in an era when an American artist in Europe was something of a rarity. He specialized in landscapes and (especially later in his career) portraits; stylistically he is often linked with Claude Monet and August Renoir, though he was not exactly part of the Impressionist movement. His etchings also are highly regarded. Witty, cranky and a bit of a devil, Whistler was a regular gadabout in British society. He had a famous long-running feud with the playwright Oscar Wilde, each of them trying to outwit the other with cutting public remarks. Some critics of the era considered Whistler's work to be smudgy and too radical; after viewing Whistler's 1875 study of fireworks over the Thames, Nocturne in Black and Gold: the Falling Rocket, John Ruskin wrote: "I have seen, and heard, much of cockney impudence before now; but never expected to hear a coxcomb ask two hundred guineas for flinging a pot of paint in the public's face." Whistler successfully sued Ruskin for libel but was awarded only a farthing in damages,

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