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Artist: Bartolome Esteban Murillo
Bartolome Esteban Murillo Beaded rosary of Our Lady holding the child China oil painting reproduction

Painting ID::  62623
Beaded rosary of Our Lady holding the child
mk284 Oil on canvas 195 x 127 cm more than Dulwich Gallery in London
 

Artist: Bartolome Esteban Murillo
Bartolome Esteban Murillo Lima, Santa Rosa China oil painting reproduction

Painting ID::  62646
Lima, Santa Rosa
mk284 Oil on canvas 145 x 95 cm Madrid, Lazaro
 

Artist: Bartolome Esteban Murillo
Bartolome Esteban Murillo The Virgin and Child China oil painting reproduction

Painting ID::  62653
The Virgin and Child
mk284 Oil on canvas 116 x 115 cm Museum Dresden, Germany
 

Artist: Bartolome Esteban Murillo
Bartolome Esteban Murillo Saint Qatar Fiorina Engagement China oil painting reproduction

Painting ID::  62661
Saint Qatar Fiorina Engagement
mk284 Oil on canvas 449 x 325 cm card Andes Monastery Tibet
 

Artist: GIOTTO di Bondone
GIOTTO di Bondone Madonna and Child China oil painting reproduction

Painting ID::  62957
Madonna and Child
1297 Tempera on wood Private collection This panel was painted for a chapel in the church Santa Maria sopra Minerva in Rome. Artist: GIOTTO di Bondone Painting Title: Madonna and Child , 1301-1350 Painting Style: Italian , , religious
 

Artist: Jacopo Bellini
Jacopo Bellini Madonna and Child China oil painting reproduction

Painting ID::  63535
Madonna and Child
1448 Canvas on panel, 50 x 45 cm Pinacoteca di Brera, Milan The painting has been cut down on the sides, with the loss of sections of the framing element. Dated and signed below, in mixed Gothic and Renaissance characters: "1448 HAS DEDIT INGENI (OSA) BELINUS MENTE FIGURAS." From the church of the Servites at Riviera di Casalfiumanese, Imola. Jacopo Bellini was an "enlightened" late Gothic painter who reacted against the aestheticism of his contemporaries. He added new elements such as classical antiquities, perspective and drawing to his pictorial language. As a humanist Bellini did not go beyond the taste for antiquity. In perspective he adopted Tuscan revolutionary ideas as dogma. Although he understood the independent value of drawing, he did not see it as a method of research but as a means for systematic description. His paintings thus give a hybrid impression, as in this work which also seems to owe something to Fra Angelico.Artist:BELLINI, Jacopo Title: Madonna and Child Painted in 1401-1450 , Italian - - painting : religious
 

Artist: BRAMANTINO
BRAMANTINO Holy Family China oil painting reproduction

Painting ID::  63536
Holy Family
1520 Poplar panel, 61 x 47 cm Pinacoteca di Brera, Milan Constructed on a series of triangular rhythms heightened by the violent tension of the drapery, which seems to absorb the figures, the composition has a rarefied atmosphere. Every gesture assumes an almost hieratic dignity, and every figure tends to take on an architectonic fixity. The figure of the Christ Child violently escapes from this formal severity. The audacious, almost explosive gesture of his arms seems to introduce the more serene and contemplative effect of the background, in which unreal, almost stage-set buildings stand out against the luminous sky. The buildings recall Bramantino's work as an architect and architectural theoretician. Of his work in this field, only the mausoleum for the Trivulzio family in Milan has survived.Artist:BRAMANTINO Title: Holy Family Painted in 1451-1500 , Italian - - painting : religious
 

Artist: Petrus Christus
Petrus Christus Madonna China oil painting reproduction

Painting ID::  63561
Madonna
1445 Wood, 55,5 x 31,5 cm Museum of Fine Arts, Budapest We know very little about the life of Petrus Christus, though it is certain that in 1444 he obtained the citizenship of Bruges, then the richest town in Flanders and its main artistic centre. He may have been the pupil of Jan van Eyck, and in his surviving panel paintings we can see that his solutions to problems of composition and his figure types are similar to those of his predecessor. Indeed Christus's delicately wrought and brilliantly coloured works served to popularise the technique and manner of Van Eyck. Some fifteen to twenty works by Christus are known, one of which is The Virgin and Child, probably the surviving part of a triptych for home devotion. Framed by a semi-circular arch resting on slender columns and with a pleasant landscape in the background, the Virgin looks tenderly down at the naked Infant supported on her arm. Every detail has been painted with meticulous care - the minute wrinkles on the Infant's face, the foliage of the trees in the distance and the statuette of Adam and Eve on the columns at the sides, which, in alluding to the Fall, emphasize the coming Redemption through Christ. Other versions and copies have survived, indicating the popularity of this picture over the years, but unfortunately none of them give any clue as to when it was painted or who commissioned it.Artist:CHRISTUS, Petrus Title: Madonna Painted in 1451-1500 , Flemish - - painting : religious
 

Artist: MASTER of the St. Bartholomew Altar
MASTER of the St. Bartholomew Altar The Holy Family China oil painting reproduction

Painting ID::  63693
The Holy Family
1470s Tempera on oak panel, 30,5 x 23 cm Museum of Fine Arts, Budapest The small-size panel obviously intended not for any church but for private devotions in the intimate milieu of a sitting-room is much like a miniature, offering to give pleasure when contemplated at close quarters. The waves of the hair - that of the Virgin undulating softly, that of Joseph more roughly in an elderly manner, the rich golden locks of the Child curling into ringlets - the objects arranged in the foreground to recall a still-life, the carefully delineated veins of the marble balustrade, all evidence this attitude. The faces, particularly that of the Virgin, are definitely of the Dutch type. The colours are gentle, melting into unassuming harmony, the forms are tranquil. The background recalling a goldsmith's work, decorated with pearls and precious stones, greatly contributes to this closed character. Apparently the picture is one of the artist's earliest works, from a youthful period, when the Baroque forms, which later became a fundamental trait of his art, had not yet become dominant.Artist:MASTER of the St. Bartholomew Altar Title: The Holy Family Painted in 1451-1500 , German - - painting : religious
 

Artist: STRIGEL, Bernhard
STRIGEL, Bernhard Holy Family China oil painting reproduction

Painting ID::  63694
Holy Family
1505 Panel Germanisches Nationalmuseum, Nuremberg The picture shows a panel of the Mindenheimer Altarpiece.Artist:STRIGEL, Bernhard Title: Holy Family Painted in 1501-1550 , German - - painting : religious
 

Artist: Master of the Housebook
Master of the Housebook Virgin and Child with St Anne China oil painting reproduction

Painting ID::  63699
Virgin and Child with St Anne
1490 Tempera and oil on wood, 136 x 105 cm Landesmuseum, Oldenburg The theme of the three generations, grandmother, mother and child, found favour with the artists of northern Europe, especially in Germany in the 15th and 16th centuries.Artist:MASTER of the Housebook Title: Virgin and Child with St Anne Painted in 1451-1500 , German - - painting : religious
 

Artist: MASTER of the St. Bartholomew Altar
MASTER of the St. Bartholomew Altar Virgin and Child China oil painting reproduction

Painting ID::  63704
Virgin and Child
1510s Panel, 30 x 20,3 cm Wallraf-Richartz Museum, Cologne This painting shows the characteristics of the school of Cologne: oval face, long nose, high forehead and an overall delicate grace.Artist:MASTER of the St. Bartholomew Altar Title: Virgin and Child Painted in 1451-1500 , German - - painting : religious
 

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Painting:: people --> Style:: madonna
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