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Artist: MURILLO, Bartolome Esteban
MURILLO, Bartolome Esteban Madonna and Child China oil painting reproduction

Painting ID::  62314
Madonna and Child
1670 Oil on canvas, 166 x 115 cm Gem?ldegalerie, Dresden The painting is also called as Madonna Legan?s, because it is assumed that it represents Do?a Maria Legan?s.
 

Artist: Sandro Botticelli
Sandro Botticelli Madonna and Child with an Angel China oil painting reproduction

Painting ID::  62396
Madonna and Child with an Angel
1465-67 Tempera on panel, 87 x 60 cm Spedale degli Innocenti, Florence It is possible that this somewhat awkward painting of the Madonna was produced while Botticelli was still working in the workshop of his teacher, Filippo Lippi. The initial inspiration for the painting came from the latter's famous Madonna in the Uffizi. Botticelli replaced the landscape with an arched architecture which frames the heads of the mother and child and emphasizes the two main figures as the centre of the devotional scene
 

Artist: Juan de Flandes
Juan de Flandes Virgin and Child before a Landscape China oil painting reproduction

Painting ID::  62430
Virgin and Child before a Landscape
1510 Oil on panel, 26 x 19,5 cm Private collection The composition of this remarkably refined little painting is based on a lost small work by Memling, which is best reflected in the Virgin of the Metropolitan Museum, New York. Since the dimensions correspond, the work must have been done with a tracing or punch-cardboard based on the original. The version discussed here shows the image in the right direction. The Virgin is represented high above a landscape, more monumental than the prototype. She stands behind a wall over which a white cloth is draped with very heavy folds. This also differs from the model. The panel was incorrectly ascribed to Michel Sittow, and later attributed to Juan de Flandes in 1966. On account of the quality, the typical facial features and the vaporous green-grey landscape, this attribution cannot be doubted. The panel originated about the time of the Retablo Mayor of Palencia (c. 1510) and may have been the central panel of a small triptych described in the accounts of Palencia Cathedral as the 'tabla oratorio de tress pie?as'. If so, it could have been a work in the style of Memling's Triptych of Benedetto Portinari (Florence, Galleria degli Uffizi), with a donor and a saint in front of a continuous landscape on the wings. Author: JUAN DE FLANDES Title: Virgin and Child before a Landscape , 1501-1550 , Spanish Form: painting , religious
 

Artist: Geertgen Tot Sint Jans
Geertgen Tot Sint Jans Virgin and Child China oil painting reproduction

Painting ID::  62445
Virgin and Child
26,8 x 20,5 cm Museum Boijmans Van Beuningen, Rotterdam This small painting of the Madonna depicts a fragile female figure holding her newborn together with a vanquished dragon. The artist indicates her floating, vision-like quality with the use of fantastic lighting and an army of angels in concentric circles. By arranging the choir of angels in a manner reminiscent of spheres, it is also expressed that the infant Jesus in the centre of the picture is the ruler of the Universe. With a sweeping gesture and a look of concentration, the infant is shaking two bells, as if to be in concert with the angel doing the same thing on the left side of the picture. They are definitely looking at each other, and since they are the only two doing this, the action has special significance: it shows the "conductor" Jesus in the role of the universe's prime mover. Thus the painting clearly expresses a concept formulated by St Thomas Aquinas, according to which Jesus created the harmony of the spheres. In Geertgen's painting the three attributes of Mary (glory, sadness and joy) are represented by angels encircling the Madonna in three rings. The inner circle contains six-winged cherubs and seraphs. The angels of the second circle hold above the head of Mary the early Christian symbols of glorification, scrolls with the word "Sanctus" appearing on them three times. The rest bear the objects associated with the Passion: the cross, the crown of thorns, a spear, nails, a hammer, and a column. The outside circle presents a multitude of musical angels, symbolizing heavenly happiness. Here we can see nearly all of the instruments of the period: lutes, violas, double recorders, trumpets, drums, bells, horns, bagpipes, hurdy-gurdies, etc. The larger keyboard instruments are located in the corners; on the organ we can see the hand-operated bellows. Obviously, the painter did not intend to reproduce the image of a real orchestra, that is why he included instruments which were never used together
 

Artist: Julius Schnorr von Carolsfeld
Julius Schnorr von Carolsfeld Madonna and Child China oil painting reproduction

Painting ID::  62558
Madonna and Child
74 x 62 cm Wallraf-Richartz Museum, Cologne The experience of Italy was not only decisive for the majority of German landscape artists of the nineteenth century but also for figurative painting, secular as well as sacred. In 1818 Julius Schnorr von Carolsfeld moved to Rome from his home town of Leipzig. There he joined the Lukas-Bund (Guild of St Luke), an artists' group originally set up by Friedrich Overbeck and Franz Pforr in Vienna in opposition to the academy there. After Overbeck and Pforr had moved to Rome the Lukas-Bund exercised great influence (though Pforr died in 1812), and not only on the German artists in Rome. The members of the group, called the 'Nazarenes' after their long hair like Christ's, wanted to return to what they saw as the simple truth and piety of Derer and the early Italian Renaissance. They tried in their work to employ the forms, style and colour of the Old Masters. The composition and clear luminous colour of the Madonna and Child illustrates Schnorr's intensive, creative relationship with the Italian Renaissance. Artist: SCHNORR VON CAROLSFELD, Julius Title: Madonna and Child , painting Date: 1801-1850 German : religious
 

Artist: Bartolome Esteban Murillo
Bartolome Esteban Murillo Virgin and the Son China oil painting reproduction

Painting ID::  62560
Virgin and the Son
mk284 1675 - 1680 Oil on canvas 165.7 x 109.2 Nian the New York Metropolitan Art Collection
 

Artist: Bartolome Esteban Murillo
Bartolome Esteban Murillo Virgin and the Son China oil painting reproduction

Painting ID::  62561
Virgin and the Son
Nian mk284 1644 Oil on canvas 151 x 103 cm Madrid Prado Art Collection
 

Artist: Bartolome Esteban Murillo
Bartolome Esteban Murillo Virgin and the Son China oil painting reproduction

Painting ID::  62562
Virgin and the Son
mk284 Oil on canvas 103 x 77 cm Los Angeles, Norton Simon Foundation for Tibet
 

Artist: Bartolome Esteban Murillo
Bartolome Esteban Murillo Rosary of the Virgin Mary holding roses China oil painting reproduction

Painting ID::  62571
Rosary of the Virgin Mary holding roses
mk284 Oil on canvas 1650 164 x 110 cm Madrid Prado Art Collection
 

Artist: Bartolome Esteban Murillo
Bartolome Esteban Murillo Virgin and the Son China oil painting reproduction

Painting ID::  62580
Virgin and the Son
mk284 Oil on canvas 137 x 112 cm Paris, private collection
 

Artist: Bartolome Esteban Murillo
Bartolome Esteban Murillo Virgin and the Son China oil painting reproduction

Painting ID::  62581
Virgin and the Son
mk284 Oil on canvas 188 x 137.5 cm National Gallery of Rotterdam Amouz
 

Artist: Bartolome Esteban Murillo
Bartolome Esteban Murillo Napkin Virgin and Child China oil painting reproduction

Painting ID::  62617
Napkin Virgin and Child
mk284 Oil on canvas 68 x 72 cm Fine Arts Museum Seville
 

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Painting:: people --> Style:: madonna
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