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Jean-Pierre Norblin de La Gourdaine

(in Polish, Jan Piotr Norblin; 15 July 1745 - 23 February 1830) was a French-born painter, draughtsman, engraver, drawing artist and caricaturist. From 1774 to 1804 he resided in the Polish-Lithuanian Commonwealth, where he obtained citizenship. He is considered one of the most important painters of the Polish Enlightenment. He achieved great success in Poland. Given many commissions from some of the most notable families of the Polish-Lithuanian Commonwealth, he stayed there for many years, not returning to Paris until the early 19th century. His style showed the influence of Antoine Watteau, and combined the Rococo tradition of charming fates galantes and fetes champetres with a panorama of daily life and current political events, captured with journalistic accuracy. He created a gallery of portraits of representatives of all social classes in the last years of the Polish-Lithuanian Commonwealth.
Prince_Adam_Kazimierz_Czartoryski_in_Corps_of_Cadets
1770s _ Medium_oil_on_canvas _ Dimensions_36.3_X_44.6_cm_(14.3_X_17.6_in) _ cjr

Jean-Pierre Norblin de La Gourdaine Prince Adam Kazimierz Czartoryski in Corps of Cadets oil painting on canvas

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Jean-Pierre_Norblin_de_La_Gourdaine
Prince Adam Kazimierz Czartoryski in Corps of Cadets
1770s Medium oil on canvas Dimensions 36.3 X 44.6 cm (14.3 X 17.6 in) cjr

Painting ID::  92336

INCHES CM PRICE  
16x20 40x50 $99
20x24 50x60 $119
24x36 60x90 $159
30x40 75x100 $199
36x48 90x120 $269
48x72 120x180 $469

    1770s Medium oil on canvas Dimensions 36.3 X 44.6 cm (14.3 X 17.6 in) cjr
Jean-Pierre Norblin de La Gourdaine
(in Polish, Jan Piotr Norblin; 15 July 1745 - 23 February 1830) was a French-born painter, draughtsman, engraver, drawing artist and caricaturist. From 1774 to 1804 he resided in the Polish-Lithuanian Commonwealth, where he obtained citizenship. He is considered one of the most important painters of the Polish Enlightenment. He achieved great success in Poland. Given many commissions from some of the most notable families of the Polish-Lithuanian Commonwealth, he stayed there for many years, not returning to Paris until the early 19th century. His style showed the influence of Antoine Watteau, and combined the Rococo tradition of charming fates galantes and fetes champetres with a panorama of daily life and current political events, captured with journalistic accuracy. He created a gallery of portraits of representatives of all social classes in the last years of the Polish-Lithuanian Commonwealth.
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