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Jean-Pierre Norblin de La Gourdaine
(in Polish, Jan Piotr Norblin; 15 July 1745 - 23 February 1830) was a French-born painter, draughtsman, engraver, drawing artist and caricaturist. From 1774 to 1804 he resided in the Polish-Lithuanian Commonwealth, where he obtained citizenship.
He is considered one of the most important painters of the Polish Enlightenment. He achieved great success in Poland. Given many commissions from some of the most notable families of the Polish-Lithuanian Commonwealth, he stayed there for many years, not returning to Paris until the early 19th century. His style showed the influence of Antoine Watteau, and combined the Rococo tradition of charming fates galantes and fetes champetres with a panorama of daily life and current political events, captured with journalistic accuracy. He created a gallery of portraits of representatives of all social classes in the last years of the Polish-Lithuanian Commonwealth.
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Fete galante
Fxte galante, oil on canvas, 31.8x28.7, Art Gallery in Lviv
c. 1785
Painting ID:: 71925
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Fete_galante
Fxte galante, oil on canvas, 31.8x28.7, Art Gallery in Lviv
c. 1785
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Fete galante
oil on canvas, 31.8x28.7, Art Gallery in Lviv
Date c. 1785
cyf
Painting ID:: 73220
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Fete_galante
oil on canvas, 31.8x28.7, Art Gallery in Lviv
Date c. 1785
cyf
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Prince Adam Kazimierz Czartoryski in Corps of Cadets
1770s
Medium oil on canvas
Dimensions 36.3 X 44.6 cm (14.3 X 17.6 in)
cjr
Painting ID:: 92336
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Prince_Adam_Kazimierz_Czartoryski_in_Corps_of_Cadets
1770s
Medium oil on canvas
Dimensions 36.3 X 44.6 cm (14.3 X 17.6 in)
cjr
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Jean-Pierre_Norblin_de_La_Gourdaine
(in Polish, Jan Piotr Norblin; 15 July 1745 - 23 February 1830) was a French-born painter, draughtsman, engraver, drawing artist and caricaturist. From 1774 to 1804 he resided in the Polish-Lithuanian Commonwealth, where he obtained citizenship.
He is considered one of the most important painters of the Polish Enlightenment. He achieved great success in Poland. Given many commissions from some of the most notable families of the Polish-Lithuanian Commonwealth, he stayed there for many years, not returning to Paris until the early 19th century. His style showed the influence of Antoine Watteau, and combined the Rococo tradition of charming fates galantes and fetes champetres with a panorama of daily life and current political events, captured with journalistic accuracy. He created a gallery of portraits of representatives of all social classes in the last years of the Polish-Lithuanian Commonwealth.
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ARTWORKS INDEX
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ARTISTS INDEX A B C D E F G H I J K L M N O P Q R S T U V W X Y Z
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