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100% hand painted, 100% cotton canvas,
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Makart, Hans
Austrian Academic Painter, 1840-1884
Austrian painter. He studied (1860-65) at the Akademie in Munich under the history painter Karl Theodor von Piloty whose influence is evident in Makart's Death of Pappenheim (1861; Vienna, Hist. Mus.). Makart visited London and Paris in 1862 and Rome in 1863. The Papal Election (1863-5; Munich, Neue Pin.) reveals Makart's skill in the bold use of colour to convey drama as well as his virtuoso draughtsmanship. Two decorative triptychs, Modern Cupids (1868; Vienna, Zentsparkasse), and the Plague in Florence (1868; Schweinfurt, Samml. Schefer), brought Makart both fame and disapproval (mostly because they lacked a literary original) when exhibited in Munich in 1868. His plan for the second work
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Portrat_Dora_Fournier
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Deutsch:_Öl_auf_Holz_
Dimensions_145.5_x_93_cm_(57.3_x_36.6_in)
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| Makart,_Hans
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Portrat Dora Fournier
Deutsch: Öl auf Holz
Dimensions 145.5 x 93 cm (57.3 x 36.6 in)
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Painting ID:: 81729
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| Deutsch: Öl auf Holz
Dimensions 145.5 x 93 cm (57.3 x 36.6 in)
cyf |
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Makart, Hans
Austrian Academic Painter, 1840-1884
Austrian painter. He studied (1860-65) at the Akademie in Munich under the history painter Karl Theodor von Piloty whose influence is evident in Makart's Death of Pappenheim (1861; Vienna, Hist. Mus.). Makart visited London and Paris in 1862 and Rome in 1863. The Papal Election (1863-5; Munich, Neue Pin.) reveals Makart's skill in the bold use of colour to convey drama as well as his virtuoso draughtsmanship. Two decorative triptychs, Modern Cupids (1868; Vienna, Zentsparkasse), and the Plague in Florence (1868; Schweinfurt, Samml. Schefer), brought Makart both fame and disapproval (mostly because they lacked a literary original) when exhibited in Munich in 1868. His plan for the second work
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ARTISTS INDEX A B C D E F G H I J K L M N O P Q R S T U V W X Y Z
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