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Makart, Hans
Austrian Academic Painter, 1840-1884
Austrian painter. He studied (1860-65) at the Akademie in Munich under the history painter Karl Theodor von Piloty whose influence is evident in Makart's Death of Pappenheim (1861; Vienna, Hist. Mus.). Makart visited London and Paris in 1862 and Rome in 1863. The Papal Election (1863-5; Munich, Neue Pin.) reveals Makart's skill in the bold use of colour to convey drama as well as his virtuoso draughtsmanship. Two decorative triptychs, Modern Cupids (1868; Vienna, Zentsparkasse), and the Plague in Florence (1868; Schweinfurt, Samml. Schefer), brought Makart both fame and disapproval (mostly because they lacked a literary original) when exhibited in Munich in 1868. His plan for the second work
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Abundantia: The Gifts of the Sea
1870
Mus??e d'Orsay, Paris.
Painting ID:: 19254
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Abundantia:_The_Gifts_of_the_Sea
1870
Mus??e d'Orsay, Paris.
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Abundantia: The Gifts of the Earth
1870
Mus??e d'Orsay, Paris
Painting ID:: 19255
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Abundantia:_The_Gifts_of_the_Earth
1870
Mus??e d'Orsay, Paris
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Portrait of a Lady
Oil on panel
The Hermitage, St. Petersburg.
Painting ID:: 19256
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Portrait_of_a_Lady
Oil on panel
The Hermitage, St. Petersburg.
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Portrait of a Lady
mk65
Oil on panel
47x31 1/2"
Painting ID:: 29346
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Portrait_of_a_Lady
mk65
Oil on panel
47x31 1/2"
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The Plague in Florence
mk157
1868
Oil on canvas
103x204.5cm
Painting ID:: 41221
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The_Plague_in_Florence
mk157
1868
Oil on canvas
103x204.5cm
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Makart,_Hans
Austrian Academic Painter, 1840-1884
Austrian painter. He studied (1860-65) at the Akademie in Munich under the history painter Karl Theodor von Piloty whose influence is evident in Makart's Death of Pappenheim (1861; Vienna, Hist. Mus.). Makart visited London and Paris in 1862 and Rome in 1863. The Papal Election (1863-5; Munich, Neue Pin.) reveals Makart's skill in the bold use of colour to convey drama as well as his virtuoso draughtsmanship. Two decorative triptychs, Modern Cupids (1868; Vienna, Zentsparkasse), and the Plague in Florence (1868; Schweinfurt, Samml. Schefer), brought Makart both fame and disapproval (mostly because they lacked a literary original) when exhibited in Munich in 1868. His plan for the second work
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