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Jean Auguste Dominique Ingres

J. A. D. Ingres (1780-1867) was born in Montauban on August 29, 1780, the son of an unsuccessful sculptor and painter. French painter. He was the last grand champion of the French classical tradition of history painting. He was traditionally presented as the opposing force to Delacroix in the early 19th-century confrontation of Neo-classicism and Romanticism, but subsequent assessment has shown the degree to which Ingres, like Neo-classicism, is a manifestation of the Romantic spirit permeating the age. The chronology of Ingres's work is complicated by his obsessive perfectionism, which resulted in multiple versions of a subject and revisions of the original. For this reason, all works cited in this article are identified by catalogue.
Madame_Paul-Sigisbert_Moitessier
Date_1856(1856) _ Medium_Oil_on_canvas _ Dimensions_120_x_92_cm_(47.24_x_36.22_in)

Jean Auguste Dominique Ingres Madame Paul-Sigisbert Moitessier oil painting on canvas

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Jean_Auguste_Dominique_Ingres
Madame Paul-Sigisbert Moitessier
Date 1856(1856) Medium Oil on canvas Dimensions 120 x 92 cm (47.24 x 36.22 in)

Painting ID::  71453

INCHES CM PRICE  
16x20 40x50 $69
20x24 50x60 $89
24x36 60x90 $139
30x40 75x100 $149
36x48 90x120 $219
48x72 120x180 $399

    Date 1856(1856) Medium Oil on canvas Dimensions 120 x 92 cm (47.24 x 36.22 in)
Jean Auguste Dominique Ingres
J. A. D. Ingres (1780-1867) was born in Montauban on August 29, 1780, the son of an unsuccessful sculptor and painter. French painter. He was the last grand champion of the French classical tradition of history painting. He was traditionally presented as the opposing force to Delacroix in the early 19th-century confrontation of Neo-classicism and Romanticism, but subsequent assessment has shown the degree to which Ingres, like Neo-classicism, is a manifestation of the Romantic spirit permeating the age. The chronology of Ingres's work is complicated by his obsessive perfectionism, which resulted in multiple versions of a subject and revisions of the original. For this reason, all works cited in this article are identified by catalogue.
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