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100% hand painted, 100% cotton canvas,
100% money back if not satisfaction.
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baron grimm
German critic. He worked as a diplomat in Paris from 1749. Influenced by the Encyclopedists, he favoured the use of the Italian style in French operas (especially those of Rameau); in the Querelle des Bouffons of the 1750s he rejected all French music in favour of Rousseau, writing the satirical tract Le petit proph??te de Boehmischbroda (1753) and other works. He was a friend to the visiting Mozart family, 1763-4 and 1778.
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Orfeo_ed_Euridice
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Click to Enlarge
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Orfeo ed Euridice
mk270 the title page of the first edition of the score of orfeo ed euridice, published in paris in 1764.
Painting ID:: 60253
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| mk270 the title page of the first edition of the score of orfeo ed euridice, published in paris in 1764. |
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baron grimm
German critic. He worked as a diplomat in Paris from 1749. Influenced by the Encyclopedists, he favoured the use of the Italian style in French operas (especially those of Rameau); in the Querelle des Bouffons of the 1750s he rejected all French music in favour of Rousseau, writing the satirical tract Le petit proph??te de Boehmischbroda (1753) and other works. He was a friend to the visiting Mozart family, 1763-4 and 1778.
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