baron grimm German critic. He worked as a diplomat in Paris from 1749. Influenced by the Encyclopedists, he favoured the use of the Italian style in French operas (especially those of Rameau); in the Querelle des Bouffons of the 1750s he rejected all French music in favour of Rousseau, writing the satirical tract Le petit proph??te de Boehmischbroda (1753) and other works. He was a friend to the visiting Mozart family, 1763-4 and 1778.
christophwillibald gluck mk270 christophwillibald gluck, painted by duplessis in 1775.when gluck was alternating between vienna and paris.
Painting ID:: 60251
for act i of gluck s opera orfeo ed euridice, for a performance of the french version in moscow mk270 for act i of gluck s opera orfeo ed euridice, for a performance of the french version in moscow, 1897
Painting ID:: 60252
for_act_i_of_gluck_s_opera_orfeo_ed_euridice,_for_a_performance_of_the_french_version_in_moscow mk270 for act i of gluck s opera orfeo ed euridice, for a performance of the french version in moscow, 1897
baron_grimm German critic. He worked as a diplomat in Paris from 1749. Influenced by the Encyclopedists, he favoured the use of the Italian style in French operas (especially those of Rameau); in the Querelle des Bouffons of the 1750s he rejected all French music in favour of Rousseau, writing the satirical tract Le petit proph??te de Boehmischbroda (1753) and other works. He was a friend to the visiting Mozart family, 1763-4 and 1778.