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Jean Auguste Dominique Ingres

J. A. D. Ingres (1780-1867) was born in Montauban on August 29, 1780, the son of an unsuccessful sculptor and painter. French painter. He was the last grand champion of the French classical tradition of history painting. He was traditionally presented as the opposing force to Delacroix in the early 19th-century confrontation of Neo-classicism and Romanticism, but subsequent assessment has shown the degree to which Ingres, like Neo-classicism, is a manifestation of the Romantic spirit permeating the age. The chronology of Ingres's work is complicated by his obsessive perfectionism, which resulted in multiple versions of a subject and revisions of the original. For this reason, all works cited in this article are identified by catalogue.
Ingres_Posing_for_the_Figure_of_the_Virgin_in_the_Vow_of_Louis_XIII_(MK04)
c.1822-1824 pencil_on_paper, 42.5x23cm Musee_Ingres_ Montauban

Jean Auguste Dominique Ingres Ingres Posing for the Figure of the Virgin in the Vow of Louis XIII (MK04) oil painting on canvas

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Jean_Auguste_Dominique_Ingres
Ingres Posing for the Figure of the Virgin in the Vow of Louis XIII (MK04)
c.1822-1824 pencil on paper, 42.5x23cm Musee Ingres Montauban

Painting ID::  20417

INCHES CM PRICE  
16x20 40x50 $99
20x24 50x60 $119
24x36 60x90 $159
30x40 75x100 $199
36x48 90x120 $269
48x72 120x180 $469

    c.1822-1824 pencil on paper, 42.5x23cm Musee Ingres Montauban
Jean Auguste Dominique Ingres
J. A. D. Ingres (1780-1867) was born in Montauban on August 29, 1780, the son of an unsuccessful sculptor and painter. French painter. He was the last grand champion of the French classical tradition of history painting. He was traditionally presented as the opposing force to Delacroix in the early 19th-century confrontation of Neo-classicism and Romanticism, but subsequent assessment has shown the degree to which Ingres, like Neo-classicism, is a manifestation of the Romantic spirit permeating the age. The chronology of Ingres's work is complicated by his obsessive perfectionism, which resulted in multiple versions of a subject and revisions of the original. For this reason, all works cited in this article are identified by catalogue.
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