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Jean Auguste Dominique Ingres

J. A. D. Ingres (1780-1867) was born in Montauban on August 29, 1780, the son of an unsuccessful sculptor and painter. French painter. He was the last grand champion of the French classical tradition of history painting. He was traditionally presented as the opposing force to Delacroix in the early 19th-century confrontation of Neo-classicism and Romanticism, but subsequent assessment has shown the degree to which Ingres, like Neo-classicism, is a manifestation of the Romantic spirit permeating the age. The chronology of Ingres's work is complicated by his obsessive perfectionism, which resulted in multiple versions of a subject and revisions of the original. For this reason, all works cited in this article are identified by catalogue.
Portrait_of_Madeleine_Ingres,nee_Chapelle_(mk04)
c.1814 Oil_on_canvas, 68x54cm Stiftung_Sammlung_E.G.Buhrle, Zurich

Jean Auguste Dominique Ingres Portrait of Madeleine Ingres,nee Chapelle (mk04) oil painting on canvas

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Jean_Auguste_Dominique_Ingres
Portrait of Madeleine Ingres,nee Chapelle (mk04)
c.1814 Oil on canvas, 68x54cm Stiftung Sammlung E.G.Buhrle, Zurich

Painting ID::  20403

INCHES CM PRICE  
16x20 40x50 $69
20x24 50x60 $89
24x36 60x90 $139
30x40 75x100 $149
36x48 90x120 $219
48x72 120x180 $399

    c.1814 Oil on canvas, 68x54cm Stiftung Sammlung E.G.Buhrle, Zurich
Jean Auguste Dominique Ingres
J. A. D. Ingres (1780-1867) was born in Montauban on August 29, 1780, the son of an unsuccessful sculptor and painter. French painter. He was the last grand champion of the French classical tradition of history painting. He was traditionally presented as the opposing force to Delacroix in the early 19th-century confrontation of Neo-classicism and Romanticism, but subsequent assessment has shown the degree to which Ingres, like Neo-classicism, is a manifestation of the Romantic spirit permeating the age. The chronology of Ingres's work is complicated by his obsessive perfectionism, which resulted in multiple versions of a subject and revisions of the original. For this reason, all works cited in this article are identified by catalogue.
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