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100% hand painted, 100% cotton canvas,
100% money back if not satisfaction.
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CIMA da Conegliano
Italian Painter, ca.1459-1517
Italian painter. He belonged to the generation between Giovanni Bellini and Giorgione and was one of the leading painters of early Renaissance Venice. His major works, several of which are signed, are almost all church altarpieces, usually depicting the Virgin and Child enthroned with saints; he also produced a large number of smaller half-length Madonnas. His autograph paintings are executed with great sensitivity and consummate craftsmanship. Fundamental to his artistic formation was the style that Bellini had evolved by the 1470s and 1480s; other important influences were Antonello da Messina and Alvise Vivarini. Although Cima was always capable of modest innovation, his style did not undergo any radical alteration during a career of some 30 years, and his response to the growing taste for Giorgionesque works from the early 16th century remained superficial. He seems to have maintained a sizeable workshop,
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The_Madonna_and_Child_with_St_John_the_Baptist_and_Mary_Magdalen_dfg
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1510-15
Wood,_167_x_110_cm
Mus??e_du_Louvre,_Paris
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Click to Enlarge
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The Madonna and Child with St John the Baptist and Mary Magdalen dfg
1510-15
Wood, 167 x 110 cm
Mus??e du Louvre, Paris
Painting ID:: 6032
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| 1510-15
Wood, 167 x 110 cm
Mus??e du Louvre, Paris
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CIMA da Conegliano
Italian Painter, ca.1459-1517
Italian painter. He belonged to the generation between Giovanni Bellini and Giorgione and was one of the leading painters of early Renaissance Venice. His major works, several of which are signed, are almost all church altarpieces, usually depicting the Virgin and Child enthroned with saints; he also produced a large number of smaller half-length Madonnas. His autograph paintings are executed with great sensitivity and consummate craftsmanship. Fundamental to his artistic formation was the style that Bellini had evolved by the 1470s and 1480s; other important influences were Antonello da Messina and Alvise Vivarini. Although Cima was always capable of modest innovation, his style did not undergo any radical alteration during a career of some 30 years, and his response to the growing taste for Giorgionesque works from the early 16th century remained superficial. He seems to have maintained a sizeable workshop,
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ARTISTS INDEX A B C D E F G H I J K L M N O P Q R S T U V W X Y Z
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