Oil Painting Artist::. Anthony Van Dyck

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     Anthony Van Dyck
     Dutch 1599-1641 Anthony Van Dyck Locations Flemish painter and draughtsman, active also in Italy and England. He was the leading Flemish painter after Rubens in the first half of the 17th century and in the 18th century was often considered no less than his match. A number of van Dyck studies in oil of characterful heads were included in Rubens estate inventory in 1640, where they were distinguished neither in quality nor in purpose from those stocked by the older master. Although frustrated as a designer of tapestry and, with an almost solitary exception, as a deviser of palatial decoration, van Dyck succeeded brilliantly as an etcher. He was also skilled at organizing reproductive engravers in Antwerp to publish his works, in particular The Iconography (c. 1632-44), comprising scores of contemporary etched and engraved portraits, eventually numbering 100, by which election he revived the Renaissance tradition of promoting images of uomini illustri. His fame as a portrait painter in the cities of the southern Netherlands, as well as in London, Genoa, Rome and Palermo, has never been outshone; and from at least the early 18th century his full-length portraits were especially prized in Genoese, British and Flemish houses, where they were appreciated as much for their own sake as for the identities and families of the sitters.

Anthony Van Dyck Simson und Dalila oil painting artist
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Simson und Dalila
1st third of 17th century Medium oil on canvas Dimensions 148 x 257 cm (58.3 x 101.2 in) cjr

     Painting ID::  94329
INCHES CM PRICE  
16x20 40x50 $99
20x24 50x60 $119
24x36 60x90 $159
30x40 75x100 $199
36x48 90x120 $269
48x72 120x180 $469
  Simson_und_Dalila
1st third of 17th century Medium oil on canvas Dimensions 148 x 257 cm (58.3 x 101.2 in) cjr

Anthony Van Dyck Self-portrait oil painting artist
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Self-portrait
painting cjr

     Painting ID::  94330
INCHES CM PRICE  
16x20 40x50 $69
20x24 50x60 $89
24x36 60x90 $139
30x40 75x100 $149
36x48 90x120 $219
48x72 120x180 $399
  Self-portrait
painting cjr

Anthony Van Dyck Portrat der Marchesa Elena Grimaldi, Gattin des Marchese Nicola Cattaneo. oil painting artist
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Portrat der Marchesa Elena Grimaldi, Gattin des Marchese Nicola Cattaneo.
c. 1623 Medium oil on canvas Dimensions Deutsch: 246 x 173 cm cjr

     Painting ID::  94331
INCHES CM PRICE  
16x20 40x50 $69
20x24 50x60 $89
24x36 60x90 $139
30x40 75x100 $149
36x48 90x120 $219
48x72 120x180 $399
  Portrat_der_Marchesa_Elena_Grimaldi,_Gattin_des_Marchese_Nicola_Cattaneo.
c. 1623 Medium oil on canvas Dimensions Deutsch: 246 x 173 cm cjr

Anthony Van Dyck The Rest on The Flight into Egypt oil painting artist
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The Rest on The Flight into Egypt
circa 1630(1630) Medium oil on canvas Dimensions 135 x 115 cm (53.1 x 45.3 in) cjr

     Painting ID::  94332
INCHES CM PRICE  
16x20 40x50 $69
20x24 50x60 $89
24x36 60x90 $139
30x40 75x100 $149
36x48 90x120 $219
48x72 120x180 $399
  The_Rest_on_The_Flight_into_Egypt
circa 1630(1630) Medium oil on canvas Dimensions 135 x 115 cm (53.1 x 45.3 in) cjr

Anthony Van Dyck Portrat der Marie-Louise de Tassis oil painting artist
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Portrat der Marie-Louise de Tassis
c. 1630 Medium oil on canvas Dimensions Deutsch: 120 x 93 cm cjr

     Painting ID::  94333
INCHES CM PRICE  
16x20 40x50 $69
20x24 50x60 $89
24x36 60x90 $139
30x40 75x100 $149
36x48 90x120 $219
48x72 120x180 $399
  Portrat_der_Marie-Louise_de_Tassis
c. 1630 Medium oil on canvas Dimensions Deutsch: 120 x 93 cm cjr

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     Anthony_Van_Dyck
     Dutch 1599-1641 Anthony Van Dyck Locations Flemish painter and draughtsman, active also in Italy and England. He was the leading Flemish painter after Rubens in the first half of the 17th century and in the 18th century was often considered no less than his match. A number of van Dyck studies in oil of characterful heads were included in Rubens estate inventory in 1640, where they were distinguished neither in quality nor in purpose from those stocked by the older master. Although frustrated as a designer of tapestry and, with an almost solitary exception, as a deviser of palatial decoration, van Dyck succeeded brilliantly as an etcher. He was also skilled at organizing reproductive engravers in Antwerp to publish his works, in particular The Iconography (c. 1632-44), comprising scores of contemporary etched and engraved portraits, eventually numbering 100, by which election he revived the Renaissance tradition of promoting images of uomini illustri. His fame as a portrait painter in the cities of the southern Netherlands, as well as in London, Genoa, Rome and Palermo, has never been outshone; and from at least the early 18th century his full-length portraits were especially prized in Genoese, British and Flemish houses, where they were appreciated as much for their own sake as for the identities and families of the sitters.

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