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Anthony Van Dyck
Dutch
1599-1641
Anthony Van Dyck Locations
Flemish painter and draughtsman, active also in Italy and England. He was the leading Flemish painter after Rubens in the first half of the 17th century and in the 18th century was often considered no less than his match. A number of van Dyck studies in oil of characterful heads were included in Rubens estate inventory in 1640, where they were distinguished neither in quality nor in purpose from those stocked by the older master. Although frustrated as a designer of tapestry and, with an almost solitary exception, as a deviser of palatial decoration, van Dyck succeeded brilliantly as an etcher. He was also skilled at organizing reproductive engravers in Antwerp to publish his works, in particular The Iconography (c. 1632-44), comprising scores of contemporary etched and engraved portraits, eventually numbering 100, by which election he revived the Renaissance tradition of promoting images of uomini illustri. His fame as a portrait painter in the cities of the southern Netherlands, as well as in London, Genoa, Rome and Palermo, has never been outshone; and from at least the early 18th century his full-length portraits were especially prized in Genoese, British and Flemish houses, where they were appreciated as much for their own sake as for the identities and families of the sitters.
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Robert Rich
from 1632(1632) until 1641(1641)
Medium oil on canvas
Dimensions 208 x 128 cm (81.9 x 50.4 in)
cyf
Painting ID:: 90834
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Robert_Rich
from 1632(1632) until 1641(1641)
Medium oil on canvas
Dimensions 208 x 128 cm (81.9 x 50.4 in)
cyf
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Self Portrait
ca. 1623
Medium English: Oil on Canvas
cjr
Painting ID:: 90932
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Self_Portrait
ca. 1623
Medium English: Oil on Canvas
cjr
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Portrat der Charlotte Butkens, Herrin von Anoy, mit ihrem Sohn
c. 1631
Medium oil on canvas
Dimensions Deutsch: 200 x 120 cm
cjr
Painting ID:: 91208
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Portrat_der_Charlotte_Butkens,_Herrin_von_Anoy,_mit_ihrem_Sohn
c. 1631
Medium oil on canvas
Dimensions Deutsch: 200 x 120 cm
cjr
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Portrait of an Alderman
Oil on canvas with paper extension
Dimensions 25 x 19 5/8 in. (63.5 x 49.8 cm)
cjr
Painting ID:: 92610
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Portrait_of_an_Alderman
Oil on canvas with paper extension
Dimensions 25 x 19 5/8 in. (63.5 x 49.8 cm)
cjr
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Portrat des Bildhauers Francois Duquesnoy
between 1700(1700) and 1734(1734)
Medium oil on canvas
Dimensions 77,5 x 61 cm
cjr
Painting ID:: 94035
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Portrat_des_Bildhauers_Francois_Duquesnoy
between 1700(1700) and 1734(1734)
Medium oil on canvas
Dimensions 77,5 x 61 cm
cjr
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Anthony_Van_Dyck
Dutch
1599-1641
Anthony Van Dyck Locations
Flemish painter and draughtsman, active also in Italy and England. He was the leading Flemish painter after Rubens in the first half of the 17th century and in the 18th century was often considered no less than his match. A number of van Dyck studies in oil of characterful heads were included in Rubens estate inventory in 1640, where they were distinguished neither in quality nor in purpose from those stocked by the older master. Although frustrated as a designer of tapestry and, with an almost solitary exception, as a deviser of palatial decoration, van Dyck succeeded brilliantly as an etcher. He was also skilled at organizing reproductive engravers in Antwerp to publish his works, in particular The Iconography (c. 1632-44), comprising scores of contemporary etched and engraved portraits, eventually numbering 100, by which election he revived the Renaissance tradition of promoting images of uomini illustri. His fame as a portrait painter in the cities of the southern Netherlands, as well as in London, Genoa, Rome and Palermo, has never been outshone; and from at least the early 18th century his full-length portraits were especially prized in Genoese, British and Flemish houses, where they were appreciated as much for their own sake as for the identities and families of the sitters.
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ARTISTS INDEX A B C D E F G H I J K L M N O P Q R S T U V W X Y Z
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