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John William Waterhouse
English Pre-Raphaelite Painter, 1849-1917
English painter. His father was a minor English painter working in Rome. Waterhouse entered the Royal Academy Schools in London in 1870. He exhibited at the Society of British Artists from 1872 and at the Royal Academy from 1874. From 1877 to the 1880s he regularly travelled abroad, particularly to Italy. In the early 1870s he had produced a few uncharacteristic Orientalist keepsake paintings, but most of his works in this period are scenes from ancient history or classical genre subjects, similar to the work of Lawrence Alma-Tadema (e.g. Consulting the Oracle, c. 1882; London, Tate). However, Waterhouse consistently painted on a larger scale than Alma-Tadema. His brushwork is bolder, his sunlight casts harsher shadows and his history paintings are more dramatic.
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Echo and Narcissus.
Date 1903(1903)
Medium Oil on canvas
Dimensions 109.2 x 189.2 cm
cyf
Painting ID:: 75249
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Echo_and_Narcissus.
Date 1903(1903)
Medium Oil on canvas
Dimensions 109.2 x 189.2 cm
cyf
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Beatrice
painting date: circa 1915 medium: Oil on canvas size: 19.3 x 24.4 in (49.0 x 62.0 cm
cyf
Painting ID:: 75763
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Beatrice
painting date: circa 1915 medium: Oil on canvas size: 19.3 x 24.4 in (49.0 x 62.0 cm
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Diogenes
1882(1882)
Oil on canvas
208,3 ?? 134,6 cm
cjr
Painting ID:: 75780
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Diogenes
1882(1882)
Oil on canvas
208,3 ?? 134,6 cm
cjr
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Penelope and the Suitors
Oil on canvas. 131 x 191 cm
cyf
Painting ID:: 76123
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Penelope_and_the_Suitors
Oil on canvas. 131 x 191 cm
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Gather Ye Rosebuds
or, 'Ophelia' (study - ca. 1908, oil on canvas, 79 x 57 cm)
cyf
Painting ID:: 76303
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Gather_Ye_Rosebuds
or, 'Ophelia' (study - ca. 1908, oil on canvas, 79 x 57 cm)
cyf
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John_William_Waterhouse
English Pre-Raphaelite Painter, 1849-1917
English painter. His father was a minor English painter working in Rome. Waterhouse entered the Royal Academy Schools in London in 1870. He exhibited at the Society of British Artists from 1872 and at the Royal Academy from 1874. From 1877 to the 1880s he regularly travelled abroad, particularly to Italy. In the early 1870s he had produced a few uncharacteristic Orientalist keepsake paintings, but most of his works in this period are scenes from ancient history or classical genre subjects, similar to the work of Lawrence Alma-Tadema (e.g. Consulting the Oracle, c. 1882; London, Tate). However, Waterhouse consistently painted on a larger scale than Alma-Tadema. His brushwork is bolder, his sunlight casts harsher shadows and his history paintings are more dramatic.
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