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John William Waterhouse
English Pre-Raphaelite Painter, 1849-1917
English painter. His father was a minor English painter working in Rome. Waterhouse entered the Royal Academy Schools in London in 1870. He exhibited at the Society of British Artists from 1872 and at the Royal Academy from 1874. From 1877 to the 1880s he regularly travelled abroad, particularly to Italy. In the early 1870s he had produced a few uncharacteristic Orientalist keepsake paintings, but most of his works in this period are scenes from ancient history or classical genre subjects, similar to the work of Lawrence Alma-Tadema (e.g. Consulting the Oracle, c. 1882; London, Tate). However, Waterhouse consistently painted on a larger scale than Alma-Tadema. His brushwork is bolder, his sunlight casts harsher shadows and his history paintings are more dramatic.
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Penelope and the Suitors
Penelope and the Suitors
1912
Painting ID:: 61593
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Penelope_and_the_Suitors
Penelope and the Suitors
1912
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The Annunciation
The Annunciation
1914
Painting ID:: 61594
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The_Annunciation
The Annunciation
1914
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Beatrice
Beatrice
Circa 1915
Painting ID:: 61595
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Beatrice
Beatrice
Circa 1915
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Dante and Beatrice
Dante and Beatrice
1915
Painting ID:: 61596
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Dante_and_Beatrice
Dante and Beatrice
1915
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I am half sick of shadows,
I am half-sick of shadows, said the Lady of Shalott
1916
Painting ID:: 61597
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I_am_half_sick_of_shadows,
I am half-sick of shadows, said the Lady of Shalott
1916
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John_William_Waterhouse
English Pre-Raphaelite Painter, 1849-1917
English painter. His father was a minor English painter working in Rome. Waterhouse entered the Royal Academy Schools in London in 1870. He exhibited at the Society of British Artists from 1872 and at the Royal Academy from 1874. From 1877 to the 1880s he regularly travelled abroad, particularly to Italy. In the early 1870s he had produced a few uncharacteristic Orientalist keepsake paintings, but most of his works in this period are scenes from ancient history or classical genre subjects, similar to the work of Lawrence Alma-Tadema (e.g. Consulting the Oracle, c. 1882; London, Tate). However, Waterhouse consistently painted on a larger scale than Alma-Tadema. His brushwork is bolder, his sunlight casts harsher shadows and his history paintings are more dramatic.
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ARTWORKS INDEX
A B C D E F G H I J K L M N O P Q R S T U V W X Y Z
ARTISTS INDEX A B C D E F G H I J K L M N O P Q R S T U V W X Y Z
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Wholesale China Oil Painting Wholesale Oil Painting China Xiamen Portrait Reproduction on canvas Chinese Oil Painting Wholesale
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