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Camille Pissarro
Caribbean-born French Pointillist/Impressionist Painter, ca.1830-1903
.Painter and printmaker. He was the only painter to exhibit in all eight of the Impressionist exhibitions held between 1874 and 1886, and he is often regarded as the 'father' of the movement. He was by no means narrow in outlook, however, and throughout his life remained as radical in artistic matters as he was in politics. Thad?e Natanson wrote in 1948: 'Nothing of novelty or of excellence appeared that Pissarro had not been among the first, if not the very first, to discern and to defend.' The significance of Pissarro's work is in the balance maintained between tradition and the avant-garde. Octave Mirbeau commented: 'M. Camille Pissarro has shown himself to be a revolutionary by renewing the art of painting in a purely working sense;
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French Grand Theater Square
mk250 Year in 1898. Oil on canvas, 72.4 x 92.7 cm. Luoshan Angeles Los Angeles at the National Arts Museum.
Painting ID:: 56958
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French_Grand_Theater_Square
mk250 Year in 1898. Oil on canvas, 72.4 x 92.7 cm. Luoshan Angeles Los Angeles at the National Arts Museum.
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Storm
mk259 1854-1855 Oil on canvas 26 x 35 cm
Painting ID:: 57680
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Storm
mk259 1854-1855 Oil on canvas 26 x 35 cm
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Two women talking to the seaside
mk259 1856 Oil on canvas years 27.9 x 41 cm
Painting ID:: 57681
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Two_women_talking_to_the_seaside
mk259 1856 Oil on canvas years 27.9 x 41 cm
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Approach and sailing
mk259 1856 Oil on canvas years 35 x 53 cm
Painting ID:: 57682
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Approach_and_sailing
mk259 1856 Oil on canvas years 35 x 53 cm
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Small village on the road to talk
mk259 1856 Oil on canvas years 32.5 x 46 cm
Painting ID:: 57683
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Small_village_on_the_road_to_talk
mk259 1856 Oil on canvas years 32.5 x 46 cm
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Camille_Pissarro
Caribbean-born French Pointillist/Impressionist Painter, ca.1830-1903
.Painter and printmaker. He was the only painter to exhibit in all eight of the Impressionist exhibitions held between 1874 and 1886, and he is often regarded as the 'father' of the movement. He was by no means narrow in outlook, however, and throughout his life remained as radical in artistic matters as he was in politics. Thad?e Natanson wrote in 1948: 'Nothing of novelty or of excellence appeared that Pissarro had not been among the first, if not the very first, to discern and to defend.' The significance of Pissarro's work is in the balance maintained between tradition and the avant-garde. Octave Mirbeau commented: 'M. Camille Pissarro has shown himself to be a revolutionary by renewing the art of painting in a purely working sense;
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