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Camille Pissarro
Caribbean-born French Pointillist/Impressionist Painter, ca.1830-1903
.Painter and printmaker. He was the only painter to exhibit in all eight of the Impressionist exhibitions held between 1874 and 1886, and he is often regarded as the 'father' of the movement. He was by no means narrow in outlook, however, and throughout his life remained as radical in artistic matters as he was in politics. Thad?e Natanson wrote in 1948: 'Nothing of novelty or of excellence appeared that Pissarro had not been among the first, if not the very first, to discern and to defend.' The significance of Pissarro's work is in the balance maintained between tradition and the avant-garde. Octave Mirbeau commented: 'M. Camille Pissarro has shown himself to be a revolutionary by renewing the art of painting in a purely working sense;
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Pont Boiedieu in Rouen in a Drizzle
mk235
1896
Oil on canvas
73.3x91.4cm
Painting ID:: 54227
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Pont_Boiedieu_in_Rouen_in_a_Drizzle
mk235
1896
Oil on canvas
73.3x91.4cm
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Morning,overcast Wather,
mk235
1896
Oil on canvas
Painting ID:: 54228
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Morning,overcast_Wather,
mk235
1896
Oil on canvas
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The Boulevard Montmartre on a Winter Morning
mk235
1897
Oil on canvas
65x81cm
Painting ID:: 54229
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The_Boulevard_Montmartre_on_a_Winter_Morning
mk235
1897
Oil on canvas
65x81cm
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The Boulevard Montmartte on a Cloudy Morning
mk235
1897
Oil on canvas
73x92cm
Painting ID:: 54230
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The_Boulevard_Montmartte_on_a_Cloudy_Morning
mk235
1897
Oil on canvas
73x92cm
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The Boulevard Montmartre at Night
mk235
1897
Oil on canvas
53.3x64.8cm
Painting ID:: 54231
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The_Boulevard_Montmartre_at_Night
mk235
1897
Oil on canvas
53.3x64.8cm
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Camille_Pissarro
Caribbean-born French Pointillist/Impressionist Painter, ca.1830-1903
.Painter and printmaker. He was the only painter to exhibit in all eight of the Impressionist exhibitions held between 1874 and 1886, and he is often regarded as the 'father' of the movement. He was by no means narrow in outlook, however, and throughout his life remained as radical in artistic matters as he was in politics. Thad?e Natanson wrote in 1948: 'Nothing of novelty or of excellence appeared that Pissarro had not been among the first, if not the very first, to discern and to defend.' The significance of Pissarro's work is in the balance maintained between tradition and the avant-garde. Octave Mirbeau commented: 'M. Camille Pissarro has shown himself to be a revolutionary by renewing the art of painting in a purely working sense;
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