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Canaletto
Italian Rococo Era Painter, 1697-1768
Italian painter, etcher and draughtsman. He was the most distinguished Italian view painter of the 18th century. Apart from ten years spent in England he lived in Venice, and his fame rests above all on his views (vedute) of that city; some of these are purely topographical, others include festivals or ceremonial events. He also painted imaginary views (capriccios), although the demarcation between the real and the invented is never quite clearcut: his imaginary views often include realistically depicted elements, though in unexpected surroundings, and in a sense even his Venetian vedute are imaginary. He never merely re-created reality. He was highly successful with the English, helped in this by the British connoisseur JOSEPH SMITH, whose own large collection of Canaletto works was sold to King George III in 1762. The British Royal Collection has the largest group of his paintings and drawings.
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Venice: The Feast Day of St. Roch
1735, The National Gallery at London
Painting ID:: 18916
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Venice:_The_Feast_Day_of_St._Roch
1735, The National Gallery at London
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Piazza San Marco- Looking Southeast
1735-40, National Gallery of Art at Washington D.C.
Painting ID:: 18917
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Piazza_San_Marco-_Looking_Southeast
1735-40, National Gallery of Art at Washington D.C.
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Warwick Castle- The East Front
1748-49, Birmigham City Museum and Art Gallery
Painting ID:: 18920
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Warwick_Castle-_The_East_Front
1748-49, Birmigham City Museum and Art Gallery
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The Basin of San Marco on Ascension Day (mk08)
c.1735-1741
Oil on canvas
121.9x182.8cm
London,National Gallery
Painting ID:: 21836
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The_Basin_of_San_Marco_on_Ascension_Day_(mk08)
c.1735-1741
Oil on canvas
121.9x182.8cm
London,National Gallery
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The Courtyard of the Castle of Warwick (mk08)
1751
Oil on canvas
75x122cm
Warwick,Duke of Warwick Collection
Painting ID:: 21914
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The_Courtyard_of_the_Castle_of_Warwick_(mk08)
1751
Oil on canvas
75x122cm
Warwick,Duke of Warwick Collection
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Canaletto
Italian Rococo Era Painter, 1697-1768
Italian painter, etcher and draughtsman. He was the most distinguished Italian view painter of the 18th century. Apart from ten years spent in England he lived in Venice, and his fame rests above all on his views (vedute) of that city; some of these are purely topographical, others include festivals or ceremonial events. He also painted imaginary views (capriccios), although the demarcation between the real and the invented is never quite clearcut: his imaginary views often include realistically depicted elements, though in unexpected surroundings, and in a sense even his Venetian vedute are imaginary. He never merely re-created reality. He was highly successful with the English, helped in this by the British connoisseur JOSEPH SMITH, whose own large collection of Canaletto works was sold to King George III in 1762. The British Royal Collection has the largest group of his paintings and drawings.
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