Oil Painting Artist::. Canaletto

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     Canaletto
    Italian Rococo Era Painter, 1697-1768 Italian painter, etcher and draughtsman. He was the most distinguished Italian view painter of the 18th century. Apart from ten years spent in England he lived in Venice, and his fame rests above all on his views (vedute) of that city; some of these are purely topographical, others include festivals or ceremonial events. He also painted imaginary views (capriccios), although the demarcation between the real and the invented is never quite clearcut: his imaginary views often include realistically depicted elements, though in unexpected surroundings, and in a sense even his Venetian vedute are imaginary. He never merely re-created reality. He was highly successful with the English, helped in this by the British connoisseur JOSEPH SMITH, whose own large collection of Canaletto works was sold to King George III in 1762. The British Royal Collection has the largest group of his paintings and drawings.

Canaletto Capriccio with a Portico vgd oil painting artist
 Click Image to Enlarge
Capriccio with a Portico vgd
Etching Private collection

     Painting ID::  5684
INCHES CM PRICE  
16x20 40x50 $69
20x24 50x60 $89
24x36 60x90 $139
30x40 75x100 $149
36x48 90x120 $219
48x72 120x180 $399
  Capriccio_with_a_Portico_vgd
Etching Private collection

Canaletto London: the Thames and the City of London from the Terrace of Richmond House ff oil painting artist
 Click Image to Enlarge
London: the Thames and the City of London from the Terrace of Richmond House ff
c. 1747 Pen and ink with wash on paper, 337 x 540 mm Private collection

     Painting ID::  5685
INCHES CM PRICE  
16x20 40x50 $69
20x24 50x60 $89
24x36 60x90 $139
30x40 75x100 $149
36x48 90x120 $219
48x72 120x180 $399
  London:_the_Thames_and_the_City_of_London_from_the_Terrace_of_Richmond_House_ff
c. 1747 Pen and ink with wash on paper, 337 x 540 mm Private collection

Canaletto London: Westminster Bridge under Repair vv oil painting artist
 Click Image to Enlarge
London: Westminster Bridge under Repair vv
1749 Pen and ink with wash on paper, 293 x 484 mm Royal Collection, Windsor

     Painting ID::  5686
INCHES CM PRICE  
16x20 40x50 $69
20x24 50x60 $89
24x36 60x90 $139
30x40 75x100 $149
36x48 90x120 $219
48x72 120x180 $399
  London:_Westminster_Bridge_under_Repair_vv
1749 Pen and ink with wash on paper, 293 x 484 mm Royal Collection, Windsor

Canaletto Piazza San Marco: Looking East from the South West Corner  dfd oil painting artist
 Click Image to Enlarge
Piazza San Marco: Looking East from the South West Corner dfd
c. 1760 Pen and ink with wash on paper, 190 x 282 mm Royal Collection, Windsor

     Painting ID::  5687
INCHES CM PRICE  
16x20 40x50 $69
20x24 50x60 $89
24x36 60x90 $139
30x40 75x100 $149
36x48 90x120 $219
48x72 120x180 $399
  Piazza_San_Marco:_Looking_East_from_the_South_West_Corner__dfd
c. 1760 Pen and ink with wash on paper, 190 x 282 mm Royal Collection, Windsor

Canaletto San Marco: the Crossing and North Transept, with Musicians Singing df oil painting artist
 Click Image to Enlarge
San Marco: the Crossing and North Transept, with Musicians Singing df
1766 Pen and ink with washes, 47 x 36 cm Kunsthalle, Hamburg

     Painting ID::  5688
INCHES CM PRICE  
16x20 40x50 $69
20x24 50x60 $89
24x36 60x90 $139
30x40 75x100 $149
36x48 90x120 $219
48x72 120x180 $399
  San_Marco:_the_Crossing_and_North_Transept,_with_Musicians_Singing_df
1766 Pen and ink with washes, 47 x 36 cm Kunsthalle, Hamburg

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     Canaletto
    Italian Rococo Era Painter, 1697-1768 Italian painter, etcher and draughtsman. He was the most distinguished Italian view painter of the 18th century. Apart from ten years spent in England he lived in Venice, and his fame rests above all on his views (vedute) of that city; some of these are purely topographical, others include festivals or ceremonial events. He also painted imaginary views (capriccios), although the demarcation between the real and the invented is never quite clearcut: his imaginary views often include realistically depicted elements, though in unexpected surroundings, and in a sense even his Venetian vedute are imaginary. He never merely re-created reality. He was highly successful with the English, helped in this by the British connoisseur JOSEPH SMITH, whose own large collection of Canaletto works was sold to King George III in 1762. The British Royal Collection has the largest group of his paintings and drawings.

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