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Georges Seurat
French Pointillist Painter, 1859-1891
Georges-Pierre Seurat (2 December 1859 ?C 29 March 1891) was a French painter and draftsman. His large work Sunday Afternoon on the Island of La Grande Jatte, his most famous painting, altered the direction of modern art by initiating Neo-impressionism, and is one of the icons of 19th century painting
Seurat took to heart the color theorists' notion of a scientific approach to painting. Seurat believed that a painter could use color to create harmony and emotion in art in the same way that a musician uses counterpoint and variation to create harmony in music. Seurat theorized that the scientific application of color was like any other natural law, and he was driven to prove this conjecture. He thought that the knowledge of perception and optical laws could be used to create a new language of art based on its own set of heuristics and he set out to show this language using lines, color intensity and color schema. Seurat called this language Chromoluminarism.
His letter to Maurice Beaubourg in 1890 captures his feelings about the scientific approach to emotion and harmony. He says "Art is Harmony. Harmony is the analogy of the contrary and of similar elements of tone, of color and of line, considered according to their dominance and under the influence of light, in gay, calm or sad combinations".
Seurat's theories can be summarized as follows: The emotion of gaiety can be achieved by the domination of luminous hues, by the predominance of warm colors, and by the use of lines directed upward. Calm is achieved through an equivalence/balance of the use of the light and the dark, by the balance of warm and cold colors, and by lines that are horizontal. Sadness is achieved by using dark and cold colors and by lines pointing downwards.
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circus
mk247
1891,oil on canvas,73x59.875 in,185.5x152 cm,musee d orsay,paris,france
Painting ID:: 56347
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circus
mk247
1891,oil on canvas,73x59.875 in,185.5x152 cm,musee d orsay,paris,france
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taskspelarna
mk248 en underbart atmosfarrik, skickligt komponerad bild av ett resand teatersallskap, vars olje ocb gaslyktor lyser upp uinterkvaallens morker ocb frestar publiken att uppleva en stunds underballende verkligbetsflykt.
Painting ID:: 56669
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taskspelarna
mk248 en underbart atmosfarrik, skickligt komponerad bild av ett resand teatersallskap, vars olje ocb gaslyktor lyser upp uinterkvaallens morker ocb frestar publiken att uppleva en stunds underballende verkligbetsflykt.
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en sondagseftermiddag pa on la grande jatte
mk248 seurats mest uppburna malning, slutprodukten av otaliga forberedande skisser ocb malade forovninger ocb blickfanget pa den e imperssionistsalongen, dar den forst stalldes ut. har bar konstnarens pintillstteknik framgangsrikt lyckats med att dromlikt uppdava tid ocb rorelse en varm. solig invid flodstranden.
Painting ID:: 56670
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en_sondagseftermiddag_pa_on_la_grande_jatte
mk248 seurats mest uppburna malning, slutprodukten av otaliga forberedande skisser ocb malade forovninger ocb blickfanget pa den e imperssionistsalongen, dar den forst stalldes ut. har bar konstnarens pintillstteknik framgangsrikt lyckats med att dromlikt uppdava tid ocb rorelse en varm. solig invid flodstranden.
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Island Bowl Sunday
mk250 year in 1884-1886. Oil on canvas, 205.7 x 304.8 cm. City of Chicago Art Institute of Chicago
Painting ID:: 56973
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Island_Bowl_Sunday
mk250 year in 1884-1886. Oil on canvas, 205.7 x 304.8 cm. City of Chicago Art Institute of Chicago
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Le Chahut,
Le Chahut, 1889-1890, Kröller-M??ller Museum, Otterlo, The Netherlands
Painting ID:: 60763
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Le_Chahut,
Le Chahut, 1889-1890, Kröller-M??ller Museum, Otterlo, The Netherlands
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Georges_Seurat
French Pointillist Painter, 1859-1891
Georges-Pierre Seurat (2 December 1859 ?C 29 March 1891) was a French painter and draftsman. His large work Sunday Afternoon on the Island of La Grande Jatte, his most famous painting, altered the direction of modern art by initiating Neo-impressionism, and is one of the icons of 19th century painting
Seurat took to heart the color theorists' notion of a scientific approach to painting. Seurat believed that a painter could use color to create harmony and emotion in art in the same way that a musician uses counterpoint and variation to create harmony in music. Seurat theorized that the scientific application of color was like any other natural law, and he was driven to prove this conjecture. He thought that the knowledge of perception and optical laws could be used to create a new language of art based on its own set of heuristics and he set out to show this language using lines, color intensity and color schema. Seurat called this language Chromoluminarism.
His letter to Maurice Beaubourg in 1890 captures his feelings about the scientific approach to emotion and harmony. He says "Art is Harmony. Harmony is the analogy of the contrary and of similar elements of tone, of color and of line, considered according to their dominance and under the influence of light, in gay, calm or sad combinations".
Seurat's theories can be summarized as follows: The emotion of gaiety can be achieved by the domination of luminous hues, by the predominance of warm colors, and by the use of lines directed upward. Calm is achieved through an equivalence/balance of the use of the light and the dark, by the balance of warm and cold colors, and by lines that are horizontal. Sadness is achieved by using dark and cold colors and by lines pointing downwards.
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ARTISTS INDEX A B C D E F G H I J K L M N O P Q R S T U V W X Y Z
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