|
| | | Prev Artist Next Artist
|
|
Titian
Italian High Renaissance Painter, ca.1485-1576
Italian painter active in Venice. As a young man he was taught by the Bellini family and worked closely with Giorgione. His early works are so similar in style to Giorgione's as to be indistinguishable, but soon after Giorgione's early death Titian established himself as the leading painter of the Republic of Venice. Among his most important religious paintings is the revolutionary and monumental Assumption (1516 ?C 18) for Santa Maria dei Frari, in which the Virgin ascends to heaven in a blaze of colour accompanied by a semicircle of angels. Titian was also interested in mythological themes, and his many depictions of Venus display his work's sheer beauty and inherent eroticism. Bacchus and Ariadne (1520 ?C 23), with its pagan abandon, is one of the greatest works of Renaissance art. Titian was sought after for his psychologically penetrating portraits, which include portrayals of leading Italian aristocrats, religious figures, and Emperor Charles V. He reached the height of his powers in The Rape of Europa (c. 1559 ?C 62), one of several paintings done for Philip II of Spain. He was recognized as supremely gifted in his lifetime, and his reputation has never declined.
|
|
|
|
|
| Click Image to Enlarge |
The Rape of Europa is a bold diagonal composition which was admired and copied by Rubens.
The Rape of Europa (1562) is a bold diagonal composition which was admired and copied by Rubens. In contrast to the clarity of Titian's early works, it is almost baroque in its blurred lines, swirling colors, and vibrant brushstrokes.
Painting ID:: 61138
|
|
|
The_Rape_of_Europa__is_a_bold_diagonal_composition_which_was_admired_and_copied_by_Rubens.
The Rape of Europa (1562) is a bold diagonal composition which was admired and copied by Rubens. In contrast to the clarity of Titian's early works, it is almost baroque in its blurred lines, swirling colors, and vibrant brushstrokes.
|
|
|
|
| Click Image to Enlarge |
The Death of Actaeon.
The Death of Actaeon. In Titian's later works, the forms lose their solidity and melt into the lush texture of shady, shimmering colors and unsettling atmospheric effects. In addition to energetic brushwork, Titian was said to put paint on with his fingers toward the completion of a painting.
Painting ID:: 61144
|
|
|
The_Death_of_Actaeon.
The Death of Actaeon. In Titian's later works, the forms lose their solidity and melt into the lush texture of shady, shimmering colors and unsettling atmospheric effects. In addition to energetic brushwork, Titian was said to put paint on with his fingers toward the completion of a painting.
|
|
|
|
| Click Image to Enlarge |
Like so many of his late works,
Like so many of his late works, Titian's last painting, the Piet??, is a dramatic scene of suffering in a nocturnal setting. It was apparently intended for his own tomb chapel.
Painting ID:: 61159
|
|
|
Like_so_many_of_his_late_works,
Like so many of his late works, Titian's last painting, the Piet??, is a dramatic scene of suffering in a nocturnal setting. It was apparently intended for his own tomb chapel.
|
|
|
|
| Click Image to Enlarge |
The Allegory of Age Governed by Prudence is thought to depict Titian,
The Allegory of Age Governed by Prudence (c. 1565?C1570) is thought to depict Titian, his son Orazio, and a young cousin, Marco Vecellio.
Painting ID:: 61160
|
|
|
The_Allegory_of_Age_Governed_by_Prudence_is_thought_to_depict_Titian,
The Allegory of Age Governed by Prudence (c. 1565?C1570) is thought to depict Titian, his son Orazio, and a young cousin, Marco Vecellio.
|
|
|
|
| Click Image to Enlarge |
The Flaying of Marsyas, little known until recent decades
The Flaying of Marsyas, little known until recent decades
Painting ID:: 61161
|
|
|
The_Flaying_of_Marsyas,_little_known_until_recent_decades
The Flaying of Marsyas, little known until recent decades
|
|
|
| Prev Artist Next Artist
|
|
Titian
Italian High Renaissance Painter, ca.1485-1576
Italian painter active in Venice. As a young man he was taught by the Bellini family and worked closely with Giorgione. His early works are so similar in style to Giorgione's as to be indistinguishable, but soon after Giorgione's early death Titian established himself as the leading painter of the Republic of Venice. Among his most important religious paintings is the revolutionary and monumental Assumption (1516 ?C 18) for Santa Maria dei Frari, in which the Virgin ascends to heaven in a blaze of colour accompanied by a semicircle of angels. Titian was also interested in mythological themes, and his many depictions of Venus display his work's sheer beauty and inherent eroticism. Bacchus and Ariadne (1520 ?C 23), with its pagan abandon, is one of the greatest works of Renaissance art. Titian was sought after for his psychologically penetrating portraits, which include portrayals of leading Italian aristocrats, religious figures, and Emperor Charles V. He reached the height of his powers in The Rape of Europa (c. 1559 ?C 62), one of several paintings done for Philip II of Spain. He was recognized as supremely gifted in his lifetime, and his reputation has never declined.
|
|
|
ARTWORKS INDEX
A B C D E F G H I J K L M N O P Q R S T U V W X Y Z
ARTISTS INDEX A B C D E F G H I J K L M N O P Q R S T U V W X Y Z
|
|
Wholesale China Oil Painting Wholesale Oil Painting China Xiamen Portrait Reproduction on canvas Chinese Oil Painting Wholesale
|
|
